In Steven Soderbergh’s dark comedy, Ian McKellen turns in one of his finest performances, said David Sexton in The New Statesman. He plays Julian Sklar, a once-brilliant painter who hasn’t produced anything for years. A “vain, irascible wreck of a man”, he lives in adjacent townhouses in Bloomsbury, and fills his time by appearing as a “sarcastic” judge on a brutal TV talent show and selling appearances on Cameo.
His artistic reputation relies on a series of portraits of his former male lover, “The Christophers”, that he produced 30 years ago, and which are now highly sought after. At home, he has some unfinished Christopher canvases: he hasn’t looked at them for years, yet they’re on the minds of his “grasping, despised children” (James Corden and Jessica Gunning). They bribe former art forger Lori (the “formidable” Michaela Coel) to become his assistant. The plan is that Lori – who turns out to have a painful backstory of her own with Julian – will finish the paintings, so that the children can sell them for millions after his death.
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