"How do you take one of the great TV series of the past 50 years and make it feel both familiar and new on stage?" That's the challenge dramatist-of-the-moment James Graham ("Dear England", "Quiz", "Sherwood") set himself, said Dominic Maxwell in The Times. He partially succeeds, but not fully. "Boys from the Blackstuff" – Alan Bleasdale's seminal drama about a group of unemployed Liverpudlians trying to eke out a living – was first screened in 1982 as unemployment passed three million. Angry and "blackly comic", it was received as a damning indictment of the Thatcher government. Graham's adaptation is typically adroit – he "trims, tweaks, restructures, adds flourishes of his own" – but it feels more "like a tender, tragicomic tribute" than a play in its own right.
That's not how it struck me, said Mark Brown in The Daily Telegraph. I came out of this accomplished production hoping it goes on tour. The character people tend to remember from the original series is the troubled Yosser ("gizza job") Hughes. Barry Sloane brings the "same resounding pathos" to the part that Bernard Hill did, but the whole cast is "tremendous": from Andrew Schofield's big-hearted retired docker George Malone to Nathan McMullen's Chrissie Todd and Lauren O'Neil as his long-suffering wife Angie. Meanwhile, the deft interweaving of music, live song, choreography and projected imagery helps generate the "necessary atmosphere of tension, fear and instinctive human solidarity".
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