Is The Office Australia a reboot too far?
The latest version of Ricky Gervais and Stephen Merchant's mockumentary feels like a 'bad case of déjà vu'
"David Brent and the staff of Wernham Hogg paper merchants in Slough changed the face of British comedy when they first arrived on BBC2 in 2001," said Tim Glanfield in The Sunday Times.
Ricky Gervais and Stephen Merchant's mockumentary series wasn't an immediate hit, but it has come to be seen "as one of the most influential sitcoms of the modern era", and it went on to spawn more than a dozen international versions, the most recent of which has just arrived from Australia on Prime Video.
Writing feels 'flat'
While some things are the same – Nick and Greta, for instance, "are very much the down under answer to Tim and Dawn" – others are new, said Jonathan Dean in the same paper. "There was no HR department in Slough", for instance. There's also – for the first time in the history of "The Office" – a female boss, played by Felicity Ward. But alas, though the "central conceit" of a post-Covid office is fresh, the writing feels "flat" and the characters over-familiar.
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
A nail in the coffin?
This production is "kind of 'The Office', but not really 'The Office'"; and for fans of the original it might produce "a bad case of déjà vu", said Luke Buckmaster in The Guardian. From the start, "the jokes are pretty lame", and the cast look "a bit dazed and glassy-eyed, like fish nearing their last breath".
"Accents and a few plot points aside, "The Office" Australia is so lacking in distinctive flavour, and so adherent to such a generic format", that it feels as if it could have been made anywhere, anytime. Perhaps this version will put a nail in the franchise's coffin once and for all?
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
- 
Salted caramel and chocolate tart recipeThe Week Recommends Delicious dessert can be made with any biscuits you fancy
 - 
Meet Ireland’s new socialist presidentIn the Spotlight Landslide victory of former barrister and ‘outsider’ Catherine Connolly could ‘mark a turning point’ in anti-establishment politics
 - 
Should TV adverts reflect the nation?Talking Point Reform MP Sarah Pochin’s controversial comments on black and Asian actors in adverts expose a real divide on race and representation
 
- 
Salted caramel and chocolate tart recipeThe Week Recommends Delicious dessert can be made with any biscuits you fancy
 - 
6 trailside homes for hikersFeature Featuring a roof deck with skyline views in California and a home with access to private trails in Montana
 - 
Lazarus: Harlan Coben’s ‘embarrassingly compelling’ thrillerThe Week Recommends Bill Nighy and Sam Claflin play father-and-son psychiatrists in this ‘precision-engineered’ crime drama
 - 
The Rose Field: a ‘nail-biting’ end to The Book of Dust seriesThe Week Recommends Philip Pullman’s superb new novel brings the trilogy to a ‘fitting’ conclusion
 - 
Nigerian Modernism: an ‘entrancing, enlightening exhibition’The Week Recommends Tate Modern’s ‘revelatory’ show includes 250 works examining Nigerian art pre- and post independence
 - 
The Mastermind: Josh O’Connor stars in unconventional art heist movieThe Week Recommends Kelly Reichardt cements her status as the ‘queen of slow cinema’ with her latest film
 - 
Critics’ choice: Watering holes for gourmandsFeature An endless selection of Mexican spirits, a Dublin-inspired bar, and an upscale Baltimore pub
 - 
Film reviews: Springsteen: Deliver Me From Nowhere, If I Had Legs I’d Kick You, Frankenstein, and Blue MoonFeature A rock star on the rise turns inward, a stressed mother begins to unravel, and more