2024: the year of the X-odus

How a year of controversy turned social media juggernaut X into 2024's hottest platform to leave

Illustration of the X logo on a fallen pedestal, with footprints walking away
(Image credit: Illustration by Stephen Kelly / Getty Images)

When it first launched in 2006, few could have imagined that X (formerly "Twitter," formerly-formerly "Twttr") would become one of — if not the — defining social media platforms of the aughts. With its deceptively simple premise of rapid-fire public microblogging, Twitter quickly blossomed into a communications juggernaut, able to move markets and influence elections. At the same time, it played host to an endless churn of in-jokes, breaking news moments, and discrete sub-cultures with their own rules and social structures. With hundreds of millions of users worldwide, it could be reasonably argued that Twitter has been perhaps the most consequential media invention of the century.

Then, in 2022, after months of public maneuvering and acrimonious legal wrangling, tech billionaire Elon Musk purchased Twitter for an astonishing $44 billion, wasting little time putting his personal imprimatur on the company he would ultimately rebrand simply as "X." Since then, X has undergone a series of massive changes ostensibly to fulfill Musk's vision of an "Everything App" that stands as a bastion of free speech. At the same time, Musk's penchant for personal controversy and his foray into far-right electoral politics have drastically altered not only the company's nuts and bolts operations but also its place in the zeitgeist. As a result, 2024 has seen a mass X-odus from Musk's walled digital garden and a reevaluation of where, if anywhere, users might go next.

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Rafi Schwartz, The Week US

Rafi Schwartz has worked as a politics writer at The Week since 2022, where he covers elections, Congress and the White House. He was previously a contributing writer with Mic focusing largely on politics, a senior writer with Splinter News, a staff writer for Fusion's news lab, and the managing editor of Heeb Magazine, a Jewish life and culture publication. Rafi's work has appeared in Rolling Stone, GOOD and The Forward, among others.