Tuesday's State of the Union extravaganza drew the smallest audience of Trump's presidency, Nielsen says

Trump giving 2020 State of the Union
(Image credit: Mandel Ngan/AFP/Getty Images)

"President Trump put a Celebrity Apprentice spin on his State of the Union address on Tuesday, seeding the 78-minute broadcast with surprise reveals and viral moments," The New York Times said Wednesday night. "It was the kind of camera-ready spectacle that can translate into big ratings for afternoon talk-show hosts and prime-time reality shows. This time, though, the Nielsen numbers did not come through."

This week's State of the Union was watched live on TV by about 37.2 million Americans, 10 million fewer than Trump's 2017 speech and a 20 percent drop from his 2018 and 2019 State of the Union addresses, Nielsen reported. It wasn't all bad news for Trump: Slightly more people watched this year than last on Fox News, the president's TV base, and the numbers don't include people watching on C-SPAN or streaming online. But overall, people appear exhausted with watching politics.

Subscribe to The Week

Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

SUBSCRIBE & SAVE
https://cdn.mos.cms.futurecdn.net/flexiimages/jacafc5zvs1692883516.jpg

Sign up for The Week's Free Newsletters

From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.

From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.

Sign up
To continue reading this article...
Continue reading this article and get limited website access each month.
Get unlimited website access, exclusive newsletters plus much more.
Cancel or pause at any time.
Already a subscriber to The Week?
Not sure which email you used for your subscription? Contact us
Peter Weber, The Week US

Peter has worked as a news and culture writer and editor at The Week since the site's launch in 2008. He covers politics, world affairs, religion and cultural currents. His journalism career began as a copy editor at a financial newswire and has included editorial positions at The New York Times Magazine, Facts on File, and Oregon State University.