The week’s other opening
On Holy Ground
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Stephanie Liss’s pair of one-act plays tackles the Israeli-Palestinian conflict in a way “that’s admirable and daunting in its directness,” said the Los Angeles Times. Contrasting the idealism of Hadassah founder Henrietta Szold with the bleak despair of two bereaved mothers in the West Bank, On Holy Ground is at once predictable and wrenching.
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