The Intelligent Homosexual’s Guide to Capitalism and Socialism With a Key to the Scriptures
In Tony Kushner’s new play, a family patriarch's threat to commit suicide becomes a backdrop to musings on politics, gay issues, spiritual concerns and other fraught issues.
Public Theater, New York
(212) 967-7555
**
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
At its most basic, this new play is about “a squabbling Italian family” holed up in a Brooklyn brownstone, said Linda Winer in Newsday. But since its creator is Tony Kushner, the “master of the form-busting, socially subversive epic,” you can be sure that the members of this boisterous clan “aren’t yelling about supper.” Addressing everything from “obscure ecclesiastical theories” to the nature of work, the drama, Kushner’s first major play in nearly a decade, is a testament to his fierce intellectual ambition. Yet its constant stream of ideas, plotlines, and literary references offers more clutter than insight.
The problems begin with the main story line, which has a “bogus air,” said Charles McNulty in the Los Angeles Times. The family patriarch, played by Michael Cristofer, is an ex-longshoreman and lifelong Communist who has just announced his intention to commit suicide. The reason, he claims, is the onset of Alzheimer’s, but it’s soon clear that his choice has more to do with his profound dissatisfaction with the course of world history. His adult children include a lesbian daughter who’s a labor lawyer and a gay son whose unfinished dissertation gives the play its title. Their myriad troubles and opinions push the show to bursting: Kushner’s story is simply too slim to support three hours and 40 minutes of “diatribes on the state of politics, riffs on gay issues, and oblique musings on spiritual concerns.”
The play shares with Kushner’s Angels in America “the same central concern,” said Ben Brantley in The New York Times. Namely: “How do we live when the old systems of belief and morality have fallen apart?” Though that question goes unanswered, some viewers may be content to simply revel in Kushner’s “heady language,” especially given the fine performances here. But Angels established Kushner as a great playwright. “In Guide, he registers mainly as a great conversationalist who keeps talking well after he has made his essential points.”
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Why more and more adults are reaching for soft toys
Under The Radar Does the popularity of the Squishmallow show Gen Z are 'scared to grow up'?
By Chas Newkey-Burden, The Week UK Published
-
Magazine solutions - December 27, 2024 / January 3, 2025
Puzzles and Quizzes Issue - December 27, 2024 / January 3, 2025
By The Week US Published
-
Magazine printables - December 27, 2024 / January 3, 2025
Puzzles and Quizzes Issue - December 27, 2024 / January 3, 2025
By The Week US Published
-
If/Then
feature Tony-winning Idina Menzel “looks and sounds sensational” in a role tailored to her talents.
By The Week Staff Last updated
-
Rocky
feature It’s a wonder that this Rocky ever reaches the top of the steps.
By The Week Staff Last updated
-
Love and Information
feature Leave it to Caryl Churchill to create a play that “so ingeniously mirrors our age of the splintered attention span.”
By The Week Staff Last updated
-
The Bridges of Madison County
feature Jason Robert Brown’s “richly melodic” score is “one of Broadway’s best in the last decade.”
By The Week Staff Last updated
-
Outside Mullingar
feature John Patrick Shanley’s “charmer of a play” isn’t for cynics.
By The Week Staff Last updated
-
The Night Alive
feature Conor McPherson “has a singular gift for making the ordinary glow with an extra dimension.”
By The Week Staff Last updated
-
No Man’s Land
feature The futility of all conversation has been, paradoxically, the subject of “some of the best dialogue ever written.”
By The Week Staff Last updated
-
The Commons of Pensacola
feature Stage and screen actress Amanda Peet's playwriting debut is a “witty and affecting” domestic drama.
By The Week Staff Last updated