The singular magic of Game of Thrones' cello

The return of Game of Thrones won't feel real until the cello drops

Emilia Clarke.
(Image credit: Illustrated | Pavel Naumov/iStock, Helen Sloane/HBO, Zoya_Miller/iStock)

The return of Game of Thrones won't feel real until the cello drops. This Sunday, when the eighth and final season premieres, thousands of fans will hum along at home with composer Ramin Djawadi's main theme, which, to date, has been covered by countless YouTube musicians, school choirs, Weird Al Yankovic, and cats.

But while the music of Game of Thrones has evolved over the past eight years, it has always been anchored by the cello, the heavy use of which singles the show out among fantasy scores and elevates it to a league of its own.

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Jeva Lange

Jeva Lange was the executive editor at TheWeek.com. She formerly served as The Week's deputy editor and culture critic. She is also a contributor to Screen Slate, and her writing has appeared in The New York Daily News, The Awl, Vice, and Gothamist, among other publications. Jeva lives in New York City. Follow her on Twitter.