Epic Iran: what the critics are saying about the V&A’s new exhibition
This is a blockbuster that both dazzles and informs, shedding light on one of the world’s most misunderstood nations

This exhibition is nothing if not ambitious, said Jonathan Jones in The Guardian. It aims to explore the cultural history of Iran from 3,000BC to the present day, summarising 5,000 years of civilisation into a single, coherent narrative.
To put it in context, this is a bit like “telling the story of Britain from before Stonehenge to the present and hoping it all connects up somehow”. Yet extraordinarily, it “delivers”. Taking us from the very first civilisations established in the area covering present-day Iran all the way to the 21st century, via the triumphs of the Persian Empire, the conquest of Alexander the Great, the conversion to Islam and the downfall of the last Shah, it is a fast-paced “luxury coach tour through the ages”.
Featuring everything from “gorgeous” manuscripts and exquisite carved metalwork to contemporary art and “quite brilliant” recreations of Iran’s “two most renowned sites”, Isfahan and Persepolis, it convincingly shows that many of the country’s present-day customs have their origins in traditions practiced by “the people who lived here five millennia ago”. This is a blockbuster that both dazzles and informs, shedding light on one of the world’s most misunderstood nations.
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
“It’s a mind-expanding experience,” said Rachel Campbell-Johnston in The Times. Iran, typically viewed as “closed-off, restrictive and disconcertingly alien”, is revealed to have been a place of “astonishing cultural pluralism”, where “Arabs, Greeks, Kurds, Jews, Zoroastrians, Sufis and Muslims all mixed”.
Nor has it ever been a cultural backwater: one of the first things we see is a “skilfully wrought” silver antelope which is thought to date to 3000BC; at the time, Western Europe was still marooned in the Stone Age. We see “splendidly illustrated” manuscripts of “Persia’s greatest literary masterpiece”, the Shahnameh, or Book of Kings; a 16th century carpet with poetry inscribed around its borders; and the famed Cyrus Cylinder (c. 539BC), a “barrel-shaped piece of baked clay” inscribed with what is believed to be the world’s first declaration of human rights.
Perhaps most extraordinary of all is 15th century potentate Iskandar Sultan’s horoscope, a “visually dazzling” map of the Zodiac specifically fiddled to give the impression that Iskandar possessed the requisite “heavenly qualities”.
It’s all rather bewildering, said Alastair Sooke in The Daily Telegraph. In the space of a few rooms, we zip from Cyrus the Great to the “mighty” Parthian empire, to the complexities of the Zoroastrian religion – with its “fire temples” and “towers of silence”, in which vultures “picked clean dead bodies”.
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
The Qajar dynasty (1789-1925) is “stuffed into a corner near the end”, with many tantalising details left unexplored: what, for instance, became of the ballet-loving 19th century ruler who “demanded that upperclass Iranian women should raise their hemlines to imitate tutus”? But before you know it, it’s 1979 and the Shah has fled, paving the way for the Ayatollah Khomeini and decades of international isolation.
Even the final section, featuring some “brilliant, fascinating” artists, photographers and sculptors working in Iran today, crams their works together “like commuters jostling on the Underground”. To those of us who know Iran largely from “news footage of grim-faced mullahs”, this show will be “a revelation”. But nothing is given much “room to breathe”.
-
Music reviews: Chance the Rapper, Cass McCombs, and Molly Tuttle
Feature "Star Line," "Interior Live Oak," and "So Long Little Miss Sunshine"
-
Film reviews: Eden and Honey Don't!
Feature Seekers of a new utopia spiral into savagery and a queer private eye prowls a high-desert town
-
Critics' choice: Three chefs fulfilling their ambitions
Feature Kwame Onwuachi's grand second act, Travis Lett makes a comeback, and Jeff Watson's new Korean restaurant
-
Music reviews: Chance the Rapper, Cass McCombs, and Molly Tuttle
Feature "Star Line," "Interior Live Oak," and "So Long Little Miss Sunshine"
-
Film reviews: Eden and Honey Don't!
Feature Seekers of a new utopia spiral into savagery and a queer private eye prowls a high-desert town
-
Critics' choice: Three chefs fulfilling their ambitions
Feature Kwame Onwuachi's grand second act, Travis Lett makes a comeback, and Jeff Watson's new Korean restaurant
-
Book reviews: 'The Headache: The Science of a Most Confounding Affliction—and a Search for Relief' and 'Tonight in Jungleland: The Making of "Born to Run"'
Feature The search for a headache cure and revisiting Springsteen's 'Born to Run' album on its 50th anniversary
-
Keith McNally's 6 favorite books that have ambitious characters
Feature The London-born restaurateur recommends works by Leo Tolstoy, John le Carré, and more
-
'Mankeeping': Why women are fed up
Feature Women no longer want to take on the full emotional and social needs of their partners
-
Ford Ranger Plug-in Hybrid: 'more than just a novelty'
The Week Recommends Europe's first plug-in hybrid pickup is 'surprisingly agile'
-
6 lush homes in the trees
Feature Featuring a glass house in Texas and a home built for a Broncos quarterback in Colorado