Lucian Freud: Real Lives exhibition at Tate Liverpool

This exhibition depicts ‘a nicer, less cruel side to Freud than the one that is usually served up’

Lucian Freud’s ‘Girl with a Kitten’ 1947  (The Lucian Freud Archive/Bridgeman Images)
Girl with a Kitten (1947): ‘decidedly uncomfortable’
(Image credit: The Lucian Freud Archive/Bridgeman Images)

Lucian Freud never had, as he put it, “a regular domestic life”. His sex life was, famously, “astonishingly active”, said Martin Gayford in Country Life: he was married twice and courted “a legion of lovers”; when asked how many children he had fathered, he would retort that he hadn’t “the slightest idea”. He gambled compulsively – once losing almost £1m in the course of a single lunch – and he loved mixing in both high and low society. “Freud’s subject matter was a continuation of his private life. His work is almost entirely concerned with what he knew and liked, both people and things.” Freud’s portraits were “largely of friends, lovers, wives, children and acquaintances”. A “remarkable array” of these have been gathered together for this exhibition at Tate Liverpool. On show is a selection of paintings and etchings Freud produced over the course of his long career, tracing his development as an artist from the late 1940s to his death in 2011. It is an explicitly personal career overview which overflows with “masterpieces”.

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