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Peru: A Journey in Time at the British Museum – what the reviews say
This is not a large show, but the exhibits – some on loan from Peru – are ‘exceptional’
This exhibition follows “the paths of the Andean peoples across the centuries”, beginning in around 1500BC, said Rachel Campbell-Johnston in The Times. Peru encompasses some of the most varied and inhospitable geography on the planet, including some of its “highest”, “driest”, “wettest and harshest territories”.
Nevertheless, it has been a haven of civilisation for millennia. Well before the arrival of the conquistadors and the Inca empire they toppled, it was home to a number of ancient cultures who went to extraordinary lengths to cultivate its land, and developed their own, unique “visual and musical traditions”.
This “landmark” exhibition charts the story of this remarkable land, covering 3,000 years of Pre-Columbian civilisation up to the Spanish invasion of the 16th century, and providing a “vibrant” picture of this culturally fecund corner of South America. It brings together around 120 exhibits, from copper funerary masks and woven textiles to carved wooden canoe paddles, from “ceremonial drums” to “a ritual cape with a jaguar-tooth grin”.
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The cultures of ancient Peru produced some of the most breathtaking and mysterious art ever realised, said Jonathan Jones in The Guardian. The Nasca civilisation, which flourished in the southern deserts of Peru from around 100BC to AD800, famously created “giant earth drawings” up to 1.3 miles wide, between the Andes and the Pacific.
Vessel depicting a human figure in a reed boat, Peru, AD 100-188
(Image credit: Ethnologisches Museum, Staatliche Museen zu Berlin)
Here, we see a video of one such masterwork depicting “a stylised hummingbird with thin elongated shafts representing feathers”, alongside which hangs a 2,000-year-old textile embroidered with similar designs. One possible inspiration for such works is shown on a Nasca vase depicting a masked shaman going into a trance; beside him is a San Pedro cactus, the “hallucinogenic flesh” of which he has consumed to induce his altered state.
Even more impressive are the artefacts of the greatest pre-Columbian civilisation, the Incas, who conquered much of the region in the early 15th century. A film about the city of Machu Picchu “dwells on astounding details of its architecture and engineering”.
The Incas also revolutionised agriculture, terracing part of the Andes in order to “grow maize at ever-higher altitudes”; and they “refined the art of human sacrifice”. Clothes buried with sacrificed children are on show here.
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The arrival of the Spanish in 1532 devastated the Inca civilisation, “leading to huge loss of life through conflict and disease”, said Hettie Judah in The i Paper. Yet while the colonisers did their best to suppress indigenous cultures, they never entirely eradicated them. Videos show how modern Peruvians continue to draw on pre-Columbian traditions, whether in boat-building or potato and maize cultivation.
This is not a large show, but the exhibits – some from the museum’s collection, some on loan from Peru – are “exceptional”. We see a “tiny” golden llama; Moche ceramics shaped to resemble “bound prisoners awaiting sacrifice”; a “huge” Nasca drum painted with images of “combat, ritual and mythology”; and a flute “formed like a human body, with note holes in navel, nostrils and eyes”, made by the Cupisnique people of the northern Pacific coast between 1500 and 500BC. These are just a few highlights of a genuinely illuminating exhibition.
