Emerald Fennell: my six best books
The actress and writer chooses her favourite books, from Jane Austen to Nick Cave
Emerald Fennell, who won an Oscar for her screenplay for Promising Young Woman, will be speaking at the Hay Festival Winter Weekend on 28 November.
Giving up the Ghost by Hilary Mantel (2003)
Hilary Mantel is one of those impossible, once-in-a-lifetime visionaries. She feels like she’s descended from William Blake, or a medieval anchorite. Her horror writing is peerless, and there is nothing quite so harrowingly visceral as her memoir.
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Fourth Estate £8.99; The Week Bookshop £6.99
The Man Who Made Husbands Jealous by Jilly Cooper (1991)
Jilly Cooper’s bucolic world of picturesque cottages, adorable dogs and hardcore bonking cannot be beaten. Kind-hearted serial-shagger Lysander Hawkley is one of the best in her irresistible rogues’ gallery.
Corgi £10.99; The Week Bookshop £8.99
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
Nothing That Meets the Eye by Patricia Highsmith (2002)
Patricia Highsmith’s stories are every bit as monstrous as her novels, and this collection of unpublished stories is seething with her usual exquisite, gleeful sadism.
Bloomsbury, out of print
The Complete Lyrics: 1978-2013 by Nick Cave (2013)
I write to music, and Nick Cave & the Bad Seeds are the band I most frequently listen to while I do. Cave’s lyrics are just as much a pleasure to read as they are to listen to. Gothic, violent and beautiful.
Penguin £14.99; The Week Bookshop £11.99
The Remains of the Day by Kazuo Ishiguro (1989)
I love all of Ishiguro’s books, but this is the one that most effectively rips your heart out. A perfect story of lost love and regret. It is masterful at showing the foolishness (and, often, cruelty) that is at the heart of British restraint.
Faber £8.99; The Week Bookshop £6.99
Persuasion by Jane Austen, (1817)
“You pierce my soul. I am half agony, half hope. Tell me not that I am too late.” There can’t be a single confession in all fiction more devastating than this one. Jane Austen single-handedly established the romcom as we know it – Tim and Dawn from The Office are the love-children of Anne Elliot and Captain Wentworth.
Wordsworth; The Week Bookshop £4.99
-
Political cartoons for December 6Cartoons Saturday’s political cartoons include a pardon for Hernandez, word of the year, and more
-
Pakistan: Trump’s ‘favourite field marshal’ takes chargeIn the Spotlight Asim Munir’s control over all three branches of Pakistan’s military gives him ‘sweeping powers’ – and almost unlimited freedom to use them
-
Codeword: December 6, 2025The daily codeword puzzle from The Week
-
Wake Up Dead Man: ‘arch and witty’ Knives Out sequelThe Week Recommends Daniel Craig returns for the ‘excellent’ third instalment of the murder mystery film series
-
Zootropolis 2: a ‘perky and amusing’ movieThe Week Recommends The talking animals return in a family-friendly sequel
-
Storyteller: a ‘fitting tribute’ to Robert Louis StevensonThe Week Recommends Leo Damrosch’s ‘valuable’ biography of the man behind Treasure Island
-
The rapid-fire brilliance of Tom StoppardIn the Spotlight The 88-year-old was a playwright of dazzling wit and complex ideas
-
‘Mexico: A 500-Year History’ by Paul Gillingham and ‘When Caesar Was King: How Sid Caesar Reinvented American Comedy’ by David Margolickfeature A chronicle of Mexico’s shifts in power and how Sid Caesar shaped the early days of television
-
Homes by renowned architectsFeature Featuring a Leonard Willeke Tudor Revival in Detroit and modern John Storyk design in Woodstock
-
Film reviews: ‘Hamnet,’ ‘Wake Up Dead Man’ and ‘Eternity’Feature Grief inspires Shakespeare’s greatest play, a flamboyant sleuth heads to church and a long-married couple faces a postmortem quandary
-
We Did OK, Kid: Anthony Hopkins’ candid memoir is a ‘page-turner’The Week Recommends The 87-year-old recounts his journey from ‘hopeless’ student to Oscar-winning actor