Emerald Fennell: my six best books
The actress and writer chooses her favourite books, from Jane Austen to Nick Cave

Emerald Fennell, who won an Oscar for her screenplay for Promising Young Woman, will be speaking at the Hay Festival Winter Weekend on 28 November.
Giving up the Ghost by Hilary Mantel (2003)
Hilary Mantel is one of those impossible, once-in-a-lifetime visionaries. She feels like she’s descended from William Blake, or a medieval anchorite. Her horror writing is peerless, and there is nothing quite so harrowingly visceral as her memoir.
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Fourth Estate £8.99; The Week Bookshop £6.99
The Man Who Made Husbands Jealous by Jilly Cooper (1991)
Jilly Cooper’s bucolic world of picturesque cottages, adorable dogs and hardcore bonking cannot be beaten. Kind-hearted serial-shagger Lysander Hawkley is one of the best in her irresistible rogues’ gallery.
Corgi £10.99; The Week Bookshop £8.99
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
Nothing That Meets the Eye by Patricia Highsmith (2002)
Patricia Highsmith’s stories are every bit as monstrous as her novels, and this collection of unpublished stories is seething with her usual exquisite, gleeful sadism.
Bloomsbury, out of print
The Complete Lyrics: 1978-2013 by Nick Cave (2013)
I write to music, and Nick Cave & the Bad Seeds are the band I most frequently listen to while I do. Cave’s lyrics are just as much a pleasure to read as they are to listen to. Gothic, violent and beautiful.
Penguin £14.99; The Week Bookshop £11.99
The Remains of the Day by Kazuo Ishiguro (1989)
I love all of Ishiguro’s books, but this is the one that most effectively rips your heart out. A perfect story of lost love and regret. It is masterful at showing the foolishness (and, often, cruelty) that is at the heart of British restraint.
Faber £8.99; The Week Bookshop £6.99
Persuasion by Jane Austen, (1817)
“You pierce my soul. I am half agony, half hope. Tell me not that I am too late.” There can’t be a single confession in all fiction more devastating than this one. Jane Austen single-handedly established the romcom as we know it – Tim and Dawn from The Office are the love-children of Anne Elliot and Captain Wentworth.
Wordsworth; The Week Bookshop £4.99
-
The delightful, smutty world of Jilly Cooper
In the Spotlight Millions mourn the ‘Mrs Kipling of sex’
-
Lee Miller at the Tate: a ‘sexy yet devastating’ show
The Week Recommends The ‘revelatory’ exhibition tells the photographer’s story ‘through her own impeccable eye’
-
6 eye-catching rounded homes
Feature Featuring a central spiral staircase in Michigan and a Balinese-style estate with ocean views in Hawaii
-
A House of Dynamite: a ‘nail-biting’ nuclear-strike thriller
The Week Recommends ‘Virtuoso talent’ Kathryn Bigelow directs a ‘fast-paced’ and ‘tense’ ‘symphony of dread’
-
The Finest Hotel in Kabul: a ‘haunting’ history of modern Afghanistan
The Week Recommends Lyse Doucet’s sensitively written work traces over 50 years of Kabul’s ‘Inter-Con’ hotel
-
The Smashing Machine: Dwayne Johnson is ‘magnetic’ in gritty biopic
The Week Recommends The wrestler-turned-Hollywood-actor takes on the role of troubled UFC champion Mark Kerr
-
Shadow Ticket: Thomas Pynchon’s first novel in over a decade
The Week Recommends Zany whodunnit about a private eye in 1930s Milwaukee could be the 88-year-old author’s ‘last hurrah’
-
Southern barbecue: This year’s top three
Feature A weekend-only restaurant, a 90-year-old pitmaster, and more