Film review: The Duke
A moving and witty account of an art heist that gripped the nation in 1961
I could probably watch this old-fashioned comedy caper “all day every day for the rest of my life,”, said Deborah Ross in The Spectator. Directed by the late Roger Michell (of Notting Hill fame), it recounts the notorious theft of Goya’s portrait of the Duke of Wellington from the National Gallery in 1961, and stars Jim Broadbent as Kempton Bunton, the idealistic taxi driver from Newcastle who claimed to have committed this audacious crime.
The film is “wonderfully funny”, but “thoughtful and tender” too; if you don’t find Bunton – the “ordinary fella prompted to do an extraordinary thing” – wholly “loveable” from the off, I’ll “refund your ticket”.
This warm and witty film has the “zing of a classic Ealing caper”, said Robbie Collin in The Daily Telegraph. Broadbent and Helen Mirren, who plays Bunton’s wife, have rarely been better. And while the film is unafraid to “go broad – one stirring sequence is scored to the hymn Jerusalem, for goodness’ sake” – it touches on serious themes (about how, for instance, institutions should serve the people who fund them); and its subtlety “often catches you off guard”.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
There are moments when it ladles on the “working-class nobility” a bit thick, said Brian Viner in the Daily Mail: we see Bunton standing up against racism, and being sacked as a taxi driver for waiving a war veteran’s fare; but Broadbent “keeps it real at every turn, and manages a passable Geordie accent to boot”, while Mirren, who does frumpy and downtrodden as well as she does elegant hauteur, is a “superb foil”.
Although she is often exasperated by her “placard-waving husband”, we never doubt the depth of their love. For what proved to be his swansong, Michell has given us a truly “lovely film”.
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Nashville dining: Far more than barbecue and hot chicken
Feature A modern approach to fine-dining, a daily-changing menu, and more
-
Music Reviews: Coco Jones and Viagra Boys
Feature "Why Not More?" and "Viagr Aboys"
-
Visa wants to let AI make credit card purchases for you
The Explainer The program will allow you to set a budget and let AI learn from your shopping preferences
-
Nashville dining: Far more than barbecue and hot chicken
Feature A modern approach to fine-dining, a daily-changing menu, and more
-
Music Reviews: Coco Jones and Viagra Boys
Feature "Why Not More?" and "Viagr Aboys"
-
Art review: "Wayne Thiebaud: Art Comes From Art"
Feature At the Legion of Honor, San Francisco, through Aug. 17
-
Laurence Leamer's 6 favorite books that took courage to write
Feature The author recommends works by George Orwell, Truman Capote and more
-
Book reviews: 'America, América: A New History of the New World' and 'Sister, Sinner: The Miraculous Life and Mysterious Disappearance of Aimee Semple McPherson'
Feature A historian tells a new story of the Americas and the forgotten story of a pioneering preacher
-
A journey into Egypt's western desert
The Week Recommends There is much more to be found in Egypt when straying from the usual tourist destinations
-
Splash! A Century of Swimming and Style: full of 'revelations and surprises'
The Week Recommends The Design Museum's sweeping collection of all things swimming contains hidden depths
-
The Ugly Stepsister: 'slyly funny' body-horror take on Cinderella
The Week Recommends Emilie Blichfeldt's cutting Norwegian revision of the classic fairy tale leaves no character unscathed