The Black Phone: an ‘exquisitely tense’ horror film
Ethan Hawke gives a ‘riveting’ performance as a masked child killer
Until now, Ethan Hawke has “conspicuously avoided ‘traditional’ villain roles”, said Kevin Maher in The Times. But if his “riveting” performance here is anything to go by, he could enjoy “a long and profitable twilight career playing screen baddies”.
In this often “exquisitely tense” horror film, he plays “the Grabber” – a masked psychopath who is sowing terror in 1970s suburban Denver by snatching children off the street. When 13-year-old Finney (Mason Thames) falls into his clutches, however, he is able to use the black phone of the film’s title to communicate with the Grabber’s previous victims (now dead), who are keen to help him escape.
Using atrocities committed by a serial killer “to drive what is essentially an exciting escape adventure” sounds unbearably tasteless, but the film just about gets away with it, thanks mainly to its “fearless” junior cast.
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
The film is not as terrifying as it sounds, said Jeannette Catsoulis in The New York Times. An adaptation of a short story by Joe Hill (Stephen King’s son), it has a “nostalgic mood” and an almost contemplative tone. It’s perhaps best to judge it less as a horror movie with a “low goosebump count” than as “a celebration of youthful resilience”.
I’m afraid I found the film “impossible to enjoy” as either of those things, said Matthew Bond in The Mail on Sunday. It depicts a horribly bleak world, in which fathers abuse their sons, and children bully and attack each other. “If the child-on-child violence doesn’t get you, then the adult-on-child variety will”. As for the plot’s “leap into the paranormal”, it struck me as both predictable and unconvincing.
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Scott Adams: The cartoonist who mocked corporate lifeFeature His popular comic strip ‘Dilbert’ was dropped following anti-Black remarks
-
The 8 best animated family movies of all timethe week recomends The best kids’ movies can make anything from the apocalypse to alien invasions seem like good, wholesome fun
-
ICE: Now a lawless agency?Feature Polls show Americans do not approve of ICE tactics
-
6 exquisite homes for skiersFeature Featuring a Scandinavian-style retreat in Southern California and a Utah abode with a designated ski room
-
Film reviews: ‘The Testament of Ann Lee,’ ’28 Years Later: The Bone Temple,’ and ‘Young Mothers’Feature A full-immersion portrait of the Shakers’ founder, a zombie virus brings out the best and worst in the human survivors, and pregnancy tests the resolve of four Belgian teenagers
-
Book reviews: ‘American Reich: A Murder in Orange County; Neo-Nazis; and a New Age of Hate’ and ‘Winter: The Story of a Season’Feature A look at a neo-Nazi murder in California and how winter shaped a Scottish writer
-
28 Years Later: The Bone Temple – ‘a macabre morality tale’The Week Recommends Ralph Fiennes stars in Nia DaCosta’s ‘exciting’ chapter of the zombie horror
-
Bob Weir: The Grateful Dead guitarist who kept the hippie flameFeature The fan favorite died at 78
-
The Voice of Hind Rajab: ‘innovative’ drama-doc hybridThe Week Recommends ‘Wrenching’ film about the killing of a five-year-old Palestinian girl in Gaza
-
Off the Scales: ‘meticulously reported’ rise of OzempicThe Week Recommends A ’nuanced’ look at the implications of weight-loss drugs
-
A road trip in the far north of NorwayThe Week Recommends Perfect for bird watchers, history enthusiasts and nature lovers