Kes review: a play that’s both bleak and brilliant
Atri Banerjee’s adaptation of the 1968 novel features just three actors on a simple set

Any stage adaptation of Barry Hines’s 1968 novel A Kestrel for a Knave faces considerable challenges, said Chris Bartlett in The Stage. It’s not just that Ken Loach’s 1969 film version, Kes, is “seared onto the memories of a generation of cinemagoers”, so expectations for this “most iconic of British coming-of-age stories” will always be sky-high. It’s also that the story hinges on the intense bond between a 15-year-old boy and a live kestrel.
However, Atri Banerjee’s visually arresting and “coherently realised” staging solves that problem by never actually showing us the titular bird. Kes is talked about, in evocative passages where the young Billy explains how he found and trained the kestrel; meanwhile its movements are represented onstage by Nishla Smith, whose hauntingly beautiful singing voice – on versions of 1960s standards such as The Girl from Ipanema – also expresses the characters’ hopes and desires.
The brisk one-hour staging, featuring just three actors on a simple set, is more a “poetic evocation” of Kes than a “slavish” adaptation, said Mark Fisher in The Guardian. We get all the famous scenes of sadistic teachers and misplaced bets, but not always in the order we expect. And if we don’t quite get the “full force of Billy’s innocent appreciation of the bird”, we certainly do feel moved by the absence of Kes/Smith at the culmination of what is a “bold and adventurous ensemble production”.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
The actors are first-rate and their accents are properly “Barnsley-authentic”, said Neal Keeling in the Manchester Evening News. Jake Dunn brings “energy and fragility” to the role of the angry, abused, neglected Billy – and also conveys his “wide-eyed fear and wonder” when he realises, thanks to Kes, that escape is possible from a “dirty grey life”. In a tour-de-force performance, Harry Egan plays multiple parts, including Billy’s thuggish brother and the sadistic PE teacher Mr Sugden (played by Brian Glover in the film). And Smith’s “haunting, ethereal” interludes shower hope over the grim reality of Billy’s life. It’s a bleak play, but brilliant.
Octagon Theatre, Bolton, until 2 April, then Theatre by the Lake, Keswick, 6-30 April
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Interest rate cut: the winners and losers
The Explainer The Bank of England's rate cut is not good news for everyone
-
Quiz of The Week: 3 – 9 May
Have you been paying attention to The Week's news?
-
The Week Unwrapped: Will robots benefit from a sense of touch?
Podcast Plus, has Donald Trump given centrism a new lease of life? And was it wrong to release the deadly film Rust?
-
6 charming homes in Rhode Island
Feature Featuring an award-winning home on Block Island and a casket-making-company-turned-condo in Providence
-
Titus Andronicus: a 'beautiful, blood-soaked nightmare'
The Week Recommends Max Webster's staging of Shakespeare's tragedy 'glitters with poetic richness'
-
The Alienation Effect: a 'compelling' study of the émigrés who reshaped postwar Britain
The Week Recommends Owen Hatherley's 'monumental' study is brimming with 'extraordinary revelations'
-
The Four Seasons: 'moving and funny' show stars Steve Carell and Tina Fey
The Week Recommends Netflix series follows three affluent mid-50s couples on a mini-break and the drama that ensues
-
Thunderbolts*: Florence Pugh stars in 'super-silly' yet 'terrific' film
The Week Recommends This is a Marvel movie with a difference, featuring an 'ill-matched squad of antiheroes'
-
Nashville dining: Far more than barbecue and hot chicken
Feature A modern approach to fine-dining, a daily-changing menu, and more
-
Music Reviews: Coco Jones and Viagra Boys
Feature "Why Not More?" and "Viagr Aboys"
-
Art review: "Wayne Thiebaud: Art Comes From Art"
Feature At the Legion of Honor, San Francisco, through Aug. 17