Kes review: a play that’s both bleak and brilliant
Atri Banerjee’s adaptation of the 1968 novel features just three actors on a simple set
Any stage adaptation of Barry Hines’s 1968 novel A Kestrel for a Knave faces considerable challenges, said Chris Bartlett in The Stage. It’s not just that Ken Loach’s 1969 film version, Kes, is “seared onto the memories of a generation of cinemagoers”, so expectations for this “most iconic of British coming-of-age stories” will always be sky-high. It’s also that the story hinges on the intense bond between a 15-year-old boy and a live kestrel.
However, Atri Banerjee’s visually arresting and “coherently realised” staging solves that problem by never actually showing us the titular bird. Kes is talked about, in evocative passages where the young Billy explains how he found and trained the kestrel; meanwhile its movements are represented onstage by Nishla Smith, whose hauntingly beautiful singing voice – on versions of 1960s standards such as The Girl from Ipanema – also expresses the characters’ hopes and desires.
The brisk one-hour staging, featuring just three actors on a simple set, is more a “poetic evocation” of Kes than a “slavish” adaptation, said Mark Fisher in The Guardian. We get all the famous scenes of sadistic teachers and misplaced bets, but not always in the order we expect. And if we don’t quite get the “full force of Billy’s innocent appreciation of the bird”, we certainly do feel moved by the absence of Kes/Smith at the culmination of what is a “bold and adventurous ensemble production”.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
The actors are first-rate and their accents are properly “Barnsley-authentic”, said Neal Keeling in the Manchester Evening News. Jake Dunn brings “energy and fragility” to the role of the angry, abused, neglected Billy – and also conveys his “wide-eyed fear and wonder” when he realises, thanks to Kes, that escape is possible from a “dirty grey life”. In a tour-de-force performance, Harry Egan plays multiple parts, including Billy’s thuggish brother and the sadistic PE teacher Mr Sugden (played by Brian Glover in the film). And Smith’s “haunting, ethereal” interludes shower hope over the grim reality of Billy’s life. It’s a bleak play, but brilliant.
Octagon Theatre, Bolton, until 2 April, then Theatre by the Lake, Keswick, 6-30 April
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
The Pentagon faces an uncertain future with Trump
Talking Point The president-elect has nominated conservative commentator Pete Hegseth to lead the Defense Department
By Justin Klawans, The Week US Published
-
This is what you should know about State Department travel advisories and warnings
In Depth Stay safe on your international adventures
By Catherine Garcia, The Week US Published
-
'All Tyson-Paul promised was spectacle and, in the end, that's all we got'
Instant Opinion Opinion, comment and editorials of the day
By Justin Klawans, The Week US Published
-
Drawing the Italian Renaissance: a 'relentlessly impressive' exhibition
The Week Recommends Show at the King's Gallery features an 'enormous cache' of works by the likes of Leonardo, Michelangelo and Raphael
By The Week UK Published
-
Niall Williams shares his favourite books
The Week Recommends The Irish novelist chooses works by Charles Dickens, Seamus Heaney and Wendell Berry
By The Week UK Published
-
Patriot: Alexei Navalny's memoir is as 'compelling as it is painful'
The Week Recommends The anti-corruption campaigner's harrowing book was published posthumously after his death in a remote Arctic prison
By The Week UK Published
-
The Curious Case of Benjamin Button: a 'magical' show with 'an electrifying emotional charge'
The Week Recommends The 'vivacious' Fitzgerald adaptation has a 'shimmering, soaring' score
By The Week UK Published
-
Bird: Andrea Arnold's 'strange, beguiling and quietly moving' drama
The Week Recommends Barry Keoghan stars in 'fearless' film combining social and magical realism
By The Week UK Published
-
Kate Summerscale's 6 favorite true crime books about real murder cases
Feature The best-selling author recommends works by Helen Garner, Gwen Adshead, and more
By The Week US Published
-
6 elegant homes in the Mediterranean style
Feature Featuring an award-winning mansion in Colorado and an Alhambra palace-inspired home in Washington
By The Week Staff Last updated
-
Juror #2: Clint Eastwood's 'cleverly constructed' courtroom drama is 'rock solid'
The Week Recommends Nicholas Hoult stars in 'morally complex' film about a juror on a high-profile murder case
By The Week UK Published