Fisherman’s Friends on stage: the heartwarming story of an unlikely ‘buoy band’
If you like sea shanties, you are very likely to love this musical
Fisherman’s Friends could be described as the ultimate “buoyband”, said Dominic Cavendish in The Daily Telegraph – a group of grizzled Cornish fishermen who miraculously netted a £1m record deal and stormed the charts in 2010 with an album of time-honoured sea shanties.
Their heartwarming story provided the basis for a film in 2019. Now, it has been turned into a charming if lightweight stage musical – and if you like sea shanties, you are very likely to love it.
The show includes enough of them (almost 30) “to sink a battleship”, and it has a supersized cast of 25 actors and musicians too. “When it’s all hands on deck, it’s quite a sight to behold: the replica quayside set more bustling than St Ives at tourist season high-tide.” What I yearned for, though, was a bit more drama. This is a pleasurable evening, but some “Sturm und Drang wouldn’t go amiss”.
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
There is a feeling that this is a story we’ve heard quite often before, said Miriam Gillinson in The Guardian, possibly in more suitable forms. Still, it has a solid script, and there are flashes of “humour and cynicism”, especially in the tension between locals and tourists.
Director James Grieve has “clearly worked hard to hold on to the rough-hewn authenticity” that made the original group a success. The lighting and set design are “muted” rather than brash. And the excellent performances, particularly from James Gaddas as the group’s gruff lead singer Jim, are “suitably un-showy”.
“As a piece of theatre, it is all a bit safe” – but it delivers “earworm after earworm”: this is a show that “knows its target audience” and it “lands them all night”, said Kris Hallett on What’s On Stage.
During last week’s press performance, the weather outside was “doing a decent impression of an Atlantic storm”, said Clive Davis in The Times. But inside the theatre, as we listened to a series of “soul-stirring” sea shanties performed with gusto, “we were, metaphorically speaking anyway, snugly tucked up in front of a roaring pub fire, hot toddies in our hands”. It’s that kind of experience that this “heart-on-sleeve” show offers, and it surely deserves to “pack them in”.
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
Leeds Grand Theatre; until 19 November, then on tour
-
Salted caramel and chocolate tart recipeThe Week Recommends Delicious dessert can be made with any biscuits you fancy
-
Meet Ireland’s new socialist presidentIn the Spotlight Landslide victory of former barrister and ‘outsider’ Catherine Connolly could ‘mark a turning point’ in anti-establishment politics
-
Should TV adverts reflect the nation?Talking Point Reform MP Sarah Pochin’s controversial comments on black and Asian actors in adverts expose a real divide on race and representation
-
Salted caramel and chocolate tart recipeThe Week Recommends Delicious dessert can be made with any biscuits you fancy
-
6 trailside homes for hikersFeature Featuring a roof deck with skyline views in California and a home with access to private trails in Montana
-
Lazarus: Harlan Coben’s ‘embarrassingly compelling’ thrillerThe Week Recommends Bill Nighy and Sam Claflin play father-and-son psychiatrists in this ‘precision-engineered’ crime drama
-
The Rose Field: a ‘nail-biting’ end to The Book of Dust seriesThe Week Recommends Philip Pullman’s superb new novel brings the trilogy to a ‘fitting’ conclusion
-
Nigerian Modernism: an ‘entrancing, enlightening exhibition’The Week Recommends Tate Modern’s ‘revelatory’ show includes 250 works examining Nigerian art pre- and post independence
-
The Mastermind: Josh O’Connor stars in unconventional art heist movieThe Week Recommends Kelly Reichardt cements her status as the ‘queen of slow cinema’ with her latest film
-
Critics’ choice: Watering holes for gourmandsFeature An endless selection of Mexican spirits, a Dublin-inspired bar, and an upscale Baltimore pub
-
Film reviews: Springsteen: Deliver Me From Nowhere, If I Had Legs I’d Kick You, Frankenstein, and Blue MoonFeature A rock star on the rise turns inward, a stressed mother begins to unravel, and more