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Mohammed Sami: The Point 0 review – an astonishing, haunting show
The Week Recommends A powerful exhibition by an ‘outstanding painter’ who draws on ‘nightmarish moments’ from his past
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The Week Unwrapped: Presidential secrets, stolen art and a new Barbie
podcast Why are US presidents in trouble with the National Archives? Is art confiscated by the Nazis heading back to its rightful owners?
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Giorgio Morandi review: a ‘poetic celebration’ of a quietly fascinating artist
The Week Recommends Estorick Collection exhibition includes some of the ‘most memorable images of 20th century Italian art’
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Spain and the Hispanic World: an expansive and eccentric exhibition
The Week Recommends Royal Academy show captures ‘the folkloric Spain of peasants and bullfighters’
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Chris Killip: Retrospective at The Photographers’ Gallery review
The Week Recommends Superb and timely exhibition features ‘beautiful and painfully moving’ images
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Horror in the Modernist Block review: engaging and ‘insidiously unsettling’
The Week Recommends Ikon Gallery exhibition explores how modernist buildings became ‘emblems of horror’
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Works of art that made the news in 2022
In Depth From the biggest art sale in history to a £220k painting swapped for a sandwich
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Paint Like the Swallow Sings Calypso: a suitably ‘wild’ show
The Week Recommends This exhibition about the carnival tradition in Britain is ‘rich in knowledge’ but ‘curiously joyless’
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Making Modernism at the RA: ‘expressionism from a woman’s perspective’
The Week Recommends This small exhibition concentrates on four women artists active in early 20th century Germany
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Objects of Desire: Surrealism and Design – exhibition review
The Week Recommends This tremendously enjoyable exhibition explores how surrealism has marked everyday design
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David Hockney goes immersive with his Bigger and Closer exhibition
feature Painter is producing an immersive digital spectacle based on some of his most celebrated work
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Turner Prize 2022: a perplexing but ‘eye-popping’ experience
The Week Recommends Despite the ‘apparent conflicts of interest’ of the judges, this year’s Turner Prize ‘looks pretty good’
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Will forcing English National Opera out of London help ‘level up’ the UK?
feature Arts Council England set to axe ENO funding unless it sets up shop further north
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Strange Clay at the Hayward Gallery: a ‘punchy’ and ‘stimulating’ exhibition
The Week Recommends This ‘impressive’ new show explores how artists are using clay to create weird and wonderful work
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