'Pesellino: A Renaissance Master Revealed' at the National Gallery
The widely unknown painter is receiving a closer spotlight on his work – but the exhibition has split opinion

The Renaissance artist Pesellino may well be unfamiliar to you, said Waldemar Januszczak in The Sunday Times. He was unfamiliar to me, too. Born Francesco di Stefano in Florence in around 1422, he trained under his grandfather, an artist known as "Pesello" (the Italian word for "pea", but also Florentine street slang for "a tiny member"; Pesellino, its diminutive, thus translates as "even smaller member"). Despite his unfortunate nickname, Pesellino prospered. His art showed a genius for interesting detail, and for pictorial storytelling, winning him commissions from both the Medicis and the Papacy. Notably, he invented an intimate and "much copied" way of depicting the Madonna and Child on a small scale. Yet after his death from plague aged just 35, he was forgotten. Indeed, until the National Gallery opened this new show, he had never been the subject of an exhibition. Pesellino: A Renaissance Master Revealed "does do what it says on the tin": and it is a minor triumph. It contains only eight paintings – some fragments of larger works created in collaboration with other artists – but it is "a punchy, vivid, dramatic little event".
"There were reasons Pesellino was successful" in his lifetime, said Alastair Sooke in The Daily Telegraph. He had a particular knack for bestowing "clarity upon complex scenes", as witnessed by two panels depicting the story of David and Goliath. The former, clad in "a fluttering pink cape", appears repeatedly, ultimately emerging in triumph as he clutches "the giant’s severed head by the hair". The same work also testifies to Pesellino's "skill at representing animals", taking in "a whinnying, growling menagerie of domestic and exotic beasts", from cattle and falcons to a bear and a leopard. Alas, much here is too "small" or "fragmentary" to do Pesellino justice. Many early pictures appear "naive and stiff": one wilderness scene involving Saint Francis, for instance, gives us a "Christ-like seraph, zapping golden rays at the friar" like an "awkward comic-book superhero". Ultimately, this show is "a minor affair".
I disagree, said Jackie Wullschläger in the FT. One of Pesellino’s innovative, "domestic-scale" Madonna's explains why they were much imitated: the figures – a "waif-like" mother holding her "chubby baby with delicate hands, caressing his cheek with a finger" – are "crisply defined", the background "dazzlingly textured." Most striking, perhaps, is Pesellino’s final work, an altarpiece completed by Fra Filippo Lippi after his death. Depicting the Holy Trinity, it shows God supporting the crucified Christ, surrounded by other saints in "startling" poses. Here, Pesellino "exhilaratingly" points towards something entirely "new" in art, giving individuality to the scene’s supporting characters. Small though it is, this is the "loveliest" winter exhibition the National Gallery has mounted "in years".
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
National Gallery, London WC2 (020-7306 0055; nationalgallery.org.uk). Until 10 March. Free entry.
Sign up to The Week's Arts & Life newsletter for reviews and recommendations.
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
What's next for Elon Musk?
Today's Big Question The world's richest man has become 'disillusioned' with politics – but returning to his tech empire presents its own challenges
-
Quiz of The Week: 24 – 30 May
Have you been paying attention to The Week's news?
-
The Week Unwrapped: Will Europe beat China and India to the North Pole?
Podcast Plus, is the man who designed the iPhone going to kill his own creation? And what's going on at the equalities watchdog?
-
Ancient India: living traditions – 'ethereal and sensual' exhibition
The Week Recommends Hinduism, Jainism and Buddhism are explored in show that remains 'remarkably compact'
-
6 well-preserved homes built in the 1930s
Feature Featuring a restored 1934 colonial in Arizona and a cold-storage warehouse turned loft in New York City
-
Things in Nature Merely Grow: memoir of 'harsh beauty' after loss
The Week Recommends Chinese-American novelist Yiyun Li's 'devastating' memoir explores the deaths of her two sons
-
Sirens: entertaining satire on the lives of the ultra-wealthy stars Julianne Moore
The Week Recommends This 'blackly comic affair' unfurls at a 'breakneck speed'
-
Mrs Warren's Profession: 'tour-de-force' from Imelda Staunton and daughter Bessie Carter
The Week Recommends Mother-daughter duo bring new life to George Bernard Shaw's morality play
-
Critics' choice: Steak houses that break from tradition
Feature Eight hours of slow-roasting prime rib, a 41-ounce steak, and a former Catholic school chapel turned steakhouse
-
Tash Aw's 6 favorite books about forbidden love
Feature The Malaysian novelist recommends works by James Baldwin, Toni Morrison, and more
-
Film reviews: Mission: Impossible—The Final Reckoning, Lilo & Stitch, and Final Destination: Bloodlines
Feature Tom Cruise risks life and limb to entertain us, a young girl befriends a destructive alien, and death stalks a family that resets fate's toll.