Better Man: Robbie Williams's 'dynamic' monkey biopic is 'occasionally over ripe'
Former Take That star is replaced with a CGI chimpanzee in musical-stuffed film
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
You are now subscribed
Your newsletter sign-up was successful
"As you'll no doubt have heard by now", Robbie Williams is portrayed in this biopic – directed by The Greatest Showman's Michael Gracey – as an ape, said Patrick Cremona in Radio Times.
"More specifically", the pop star narrates the film, while he is played on screen by an actor (Jonno Davies) who has been transformed by computer wizardry, so that for "every minute of the movie", whether Robbie is grieving his beloved nan in rainy Stoke-on-Trent, "performing to thousands in concert, or snorting cocaine backstage, he's depicted as a chimpanzee". This takes a bit of getting used to, but eventually you "find yourself getting swept up in the sheer emotion of watching Robbie's story unfold across the extreme highs and disastrous lows". It helps, too, that the film is generously sprinkled with his hits, which are worked into the plot "via dynamically staged musical numbers".
Two things are remarkable about Williams being a chimp, said Robbie Collin in The Telegraph. One is the fact that no one in the film passes comment on it, not even his father (Steve Pemberton) or grandmother (Alison Steadman). The other is that about 15 minutes in, you find yourself idly thinking: how amazing that they found an actor who is such a close fit for the musician. As for the film, it's "occasionally corny, over ripe and self serving", but it uses every cinematic trick in the book to create some fabulous moments.
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
It's a curious "hodgepodge", agreed Jordan Bassett in NME. Some of it is good, some of it is very bad, and it's all a bit of a mess. Still, "you can't fault the chutzpah or the ambition. If it makes back its reported budget, we'll eat $110m worth of bananas."
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
‘The West needs people’Instant Opinion Opinion, comment and editorials of the day
-
Filing statuses: What they are and how to choose one for your taxesThe Explainer Your status will determine how much you pay, plus the tax credits and deductions you can claim
-
Nan Goldin: The Ballad of Sexual Dependency – an ‘engrossing’ exhibitionThe Week Recommends All 126 images from the American photographer’s ‘influential’ photobook have come to the UK for the first time
-
Nan Goldin: The Ballad of Sexual Dependency – an ‘engrossing’ exhibitionThe Week Recommends All 126 images from the American photographer’s ‘influential’ photobook have come to the UK for the first time
-
American Psycho: a ‘hypnotic’ adaptation of the Bret Easton Ellis classicThe Week Recommends Rupert Goold’s musical has ‘demonic razzle dazzle’ in spades
-
Properties of the week: houses near spectacular coastal walksThe Week Recommends Featuring homes in Cornwall, Devon and Northumberland
-
Melania: an ‘ice-cold’ documentaryTalking Point The film has played to largely empty cinemas, but it does have one fan
-
Nouvelle Vague: ‘a film of great passion’The Week Recommends Richard Linklater’s homage to the French New Wave
-
Wonder Man: a ‘rare morsel of actual substance’ in the Marvel UniverseThe Week Recommends A Marvel series that hasn’t much to do with superheroes
-
Is This Thing On? – Bradley Cooper’s ‘likeable and spirited’ romcomThe Week Recommends ‘Refreshingly informal’ film based on the life of British comedian John Bishop
-
A Shellshocked Nation: Britain Between the Wars – history at its most ‘human’The Week Recommends Alwyn Turner’s ‘witty and wide-ranging’ account of the interwar years