Better Man: Robbie Williams's 'dynamic' monkey biopic is 'occasionally over ripe'
Former Take That star is replaced with a CGI chimpanzee in musical-stuffed film
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
You are now subscribed
Your newsletter sign-up was successful
"As you'll no doubt have heard by now", Robbie Williams is portrayed in this biopic – directed by The Greatest Showman's Michael Gracey – as an ape, said Patrick Cremona in Radio Times.
"More specifically", the pop star narrates the film, while he is played on screen by an actor (Jonno Davies) who has been transformed by computer wizardry, so that for "every minute of the movie", whether Robbie is grieving his beloved nan in rainy Stoke-on-Trent, "performing to thousands in concert, or snorting cocaine backstage, he's depicted as a chimpanzee". This takes a bit of getting used to, but eventually you "find yourself getting swept up in the sheer emotion of watching Robbie's story unfold across the extreme highs and disastrous lows". It helps, too, that the film is generously sprinkled with his hits, which are worked into the plot "via dynamically staged musical numbers".
Two things are remarkable about Williams being a chimp, said Robbie Collin in The Telegraph. One is the fact that no one in the film passes comment on it, not even his father (Steve Pemberton) or grandmother (Alison Steadman). The other is that about 15 minutes in, you find yourself idly thinking: how amazing that they found an actor who is such a close fit for the musician. As for the film, it's "occasionally corny, over ripe and self serving", but it uses every cinematic trick in the book to create some fabulous moments.
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
It's a curious "hodgepodge", agreed Jordan Bassett in NME. Some of it is good, some of it is very bad, and it's all a bit of a mess. Still, "you can't fault the chutzpah or the ambition. If it makes back its reported budget, we'll eat $110m worth of bananas."
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Political cartoons for February 18Cartoons Wednesday’s political cartoons include the DOW, human replacement, and more
-
The best music tours to book in 2026The Week Recommends Must-see live shows to catch this year from Lily Allen to Florence + The Machine
-
Gisèle Pelicot’s ‘extraordinarily courageous’ memoir is a ‘compelling’ readIn the Spotlight A Hymn to Life is a ‘riveting’ account of Pelicot’s ordeal and a ‘rousing feminist manifesto’
-
The best UK music tours to book in 2026The Week Recommends Must-see live shows to catch this year from Lily Allen to Florence + The Machine
-
6 exquisite homes with vast acreageFeature Featuring an off-the-grid contemporary home in New Mexico and lakefront farmhouse in Massachusetts
-
Film reviews: ‘Wuthering Heights,’ ‘Good Luck, Have Fun, Don’t Die,’ and ‘Sirat’Feature An inconvenient love torments a would-be couple, a gonzo time traveler seeks to save humanity from AI, and a father’s desperate search goes deeply sideways
-
A thrilling foodie city in northern JapanThe Week Recommends The food scene here is ‘unspoilt’ and ‘fun’
-
Tourangelle-style pork with prunes recipeThe Week Recommends This traditional, rustic dish is a French classic
-
Samurai: a ‘blockbuster’ display of Japan’s legendary warriorsThe Week Recommends British Museum show offers a ‘scintillating journey’ through ‘a world of gore, power and artistic beauty’
-
BMW iX3: a ‘revolution’ for the German car brandThe Week Recommends The electric SUV promises a ‘great balance between ride comfort and driving fun’
-
Arcadia: Tom Stoppard’s ‘masterpiece’ makes a ‘triumphant’ returnThe Week Recommends Carrie Cracknell’s revival at the Old Vic ‘grips like a thriller’