Black Bag: Michael Fassbender and Cate Blanchett star in 'punchy' thriller
All-star Steven Soderbergh spy film is 'cool and confident'

"Thirteen years after announcing his retirement, Steven Soderbergh is busier than ever," said John Nugent in Empire. Coming just two months after his last film, "Black Bag" is "tremendous fun: think 'Ocean's 11', if they were spies".
Like that earlier hit, it is "cool and confident" and features an "A-list cast" and a "punchy" script "full of mile-a-minute" dialogue. Michael Fassbender plays an "icy" British spy tasked with identifying a traitor in his agency. When he is presented with a list of suspects, he finds on it the name of his "beloved wife and colleague" (Cate Blanchett), throwing all loyalties into doubt. What follows nods to genre convention, but contains "very little in the way of action". Instead, its "pleasures lie in the dialogue, the twists, the reveals", leading to "a delightful Agatha Christie-style drawing-room denouement" in which the mole is finally exposed.
This is a "lean to the bone" film in which the "twists are unexpected, yet never overstretched", said Clarisse Loughrey in The Independent. It's gloriously populated with loathsome characters, and they are impeccably acted by the likes of Tom Burke, Pierce Brosnan and Marisa Abela. Still, this is "Blanchett and Fassbender's film to command": their performances drip with "old-school star power", and they expertly convey the tensions involved in maintaining trust when your careers are based on deceit.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
"Black Bag" is "as much a close study of a marriage as a spy tale", said David Rooney in The Hollywood Reporter. Admittedly, it's "evanescent, a slick diversion you forget soon after the end credits have rolled". But for the length of its running time, it "keeps you glued".
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
The sneaky rise of whooping cough
Under the Radar The measles outbreak isn't the only one to worry about
By Theara Coleman, The Week US
-
7 nightlife destinations that are positively electric
The Week Recommends Accra, Seoul, Berlin: These are a few of the cities that come alive after dark
By Catherine Garcia, The Week US
-
Crossword: April 15, 2025
The Week's daily crossword
By The Week Staff
-
The Canadian: taking a sleeper train across Canada
The Week Recommends Unique and unforgettable way to see this 'vast and varied' landscape
By The Week UK
-
Adjapsandali: Georgian-style ratatouille recipe
The Week Recommends Twist on the authentic recipe offers bursts of garlic and spices
By The Week UK
-
Mr Burton: an 'affecting' but flawed biopic
Talking Point Toby Jones is pitch-perfect as Richard Burton's mentor – but 'cautious' film 'never really comes to life'
By The Week UK
-
6 display-ready homes for art collectors
Feature Featuring hand-painted floors in Louisiana and 13-foot beamed ceilings in New York City
By The Week US
-
Your Friends and Neighbours: Jon Hamm stars in 'frothily fun' black comedy
The Week Recommends Crime caper about a hedge fund manager who resorts to burgling his 'obnoxious' neighbours after losing his job
By The Week UK
-
Last Swim: a 'lush, beguiling' coming-of-age adventure
The Week Recommends Exam results day drama follows a group of school leavers, one of whom has a devastating secret
By The Week UK
-
The Sleep Room: a 'gripping exposé' of a 'troubled' psychiatrist
The Week Recommends Jon Stock's absorbing book about William Sargant's sinister practices makes for a 'chilling' read
By The Week UK
-
Music review: Japanese Breakfast, Selena Gomez and Benny Blanco, and Steve Reich
Feature "For Melancholy Brunettes (& Sad Women)," "I Said I Love You First," "Collected Works"
By The Week US