Mr Burton: an 'affecting' but flawed biopic
Toby Jones is pitch-perfect as Richard Burton's mentor – but 'serviceable' film 'never really comes to life'
Long before Richard Burton became a star, said Tim Robey in The Daily Telegraph, he was Richard Jenkins – "a nondescript miner's boy", one of 13 motherless children, who almost dropped out of school. His transformation, as this "affecting" but flawed biopic has it, was down to the man who gave him his surname: an inspirational schoolteacher called Philip Burton who became his mentor, career guide and "de facto stepfather".
We are introduced to the nascent film star (Harry Lawtey) as a "brooding" 16-year-old with a passion for Shakespeare; Philip (a pitch-perfect Toby Jones) notices his promise and takes him under his wing, dispensing notes on elocution – he tutors the boy to lose his Welsh accent – and encouraging him to apply to Oxford. He pays Richard's alcoholic, homophobic father £50 to make the boy his own legal ward, and moves him into his Port Talbot boarding house – a gesture his landlady (Lesley Manville) warns him is "guaranteed to look fishy".
Philip's implied struggle with his sexuality is invoked "all too bluntly", said Jonathan Romney in the Financial Times: at one point, Richard's father calls him "a poofter" for associating with his "aesthete" teacher. Otherwise, though, this is a rather "cautious", glumly understated film.
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
There are some fine performances, said Deborah Ross in The Spectator. Lawtey doesn't quite manage to channel Richard Burton's charisma ("Who could?"), but he does convey his "simmering intensity": by the time the story ends, as the actor skyrockets to fame, Lawtey "has captured something of [his] essence, particularly when it comes to his voice and physical swagger". Yet "serviceable" as it is, Mr Burton "has the feel of a Sunday evening television drama" – and it never really "comes to life".
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Homes by renowned architectsFeature Featuring a Leonard Willeke Tudor Revival in Detroit and modern John Storyk design in Woodstock
-
Looming drone ban has farmers and farm-state Republicans anxiousIN THE SPOTLIGHT As congressional China-hawks work to limit commercial drone sales from Beijing, a growing number of conservative lawmakers are sounding an agricultural alarm
-
Mind-expanding podcasts you may have missed this fallThe Week Recommends True crime, a book club and a therapeutic outlet led this season’s best podcasts
-
Homes by renowned architectsFeature Featuring a Leonard Willeke Tudor Revival in Detroit and modern John Storyk design in Woodstock
-
Film reviews: ‘Hamnet,’ ‘Wake Up Dead Man’ and ‘Eternity’Feature Grief inspires Shakespeare’s greatest play, a flamboyant sleuth heads to church and a long-married couple faces a postmortem quandary
-
We Did OK, Kid: Anthony Hopkins’ candid memoir is a ‘page-turner’The Week Recommends The 87-year-old recounts his journey from ‘hopeless’ student to Oscar-winning actor
-
The Mushroom Tapes: a compelling deep dive into the trial that gripped AustraliaThe Week Recommends Acclaimed authors team up for a ‘sensitive and insightful’ examination of what led a seemingly ordinary woman to poison four people
-
‘Chess’feature Imperial Theatre, New York City
-
‘Notes on Being a Man’ by Scott Galloway and ‘Bread of Angels: A Memoir’ by Patti Smithfeature A self-help guide for lonely young men and a new memoir from the godmother of punk
-
6 homes built in the 1700sFeature Featuring a restored Federal-style estate in Virginia and quaint farm in Connecticut
-
Film reviews: 'Wicked: For Good' and 'Rental Family'Feature Glinda the Good is forced to choose sides and an actor takes work filling holes in strangers' lives