Having "muscled countless independent films out of cinema screens", Marvel has had the "audacity" to promote the latest addition to the Marvel Cinematic Universe franchise "as a big-budgeted film with the 'feel' of a low-budgeted one", said Clarisse Loughrey in The Independent.
It even boasts, with a wink, that the film was made by a "crew of indie veterans who sold out" (many from indie production giant A24). Well, it's annoying in a way – but getting those people involved has paid off, because the film is pretty good. The titular Thunderbolts are "an ill-matched squad of antiheroes" drawn from previous Marvel films, who squabble at first but then bond over their shared PTSD: Florence Pugh, for instance, is back as Yelena Belova, still reeling from the death of her pseudo sister Black Widow, in "Avengers: Endgame". That is a fresh approach, and there is also a fresh appearance from Julia Louis-Dreyfus as a deliciously Machiavellian CIA director.
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
-
Political cartoons for February 1Cartoons Sunday's political cartoons include Tom Homan's offer, the Fox News filter, and more
-
Will SpaceX, OpenAI and Anthropic make 2026 the year of mega tech listings?In Depth SpaceX float may come as soon as this year, and would be the largest IPO in history
-
Reforming the House of LordsThe Explainer Keir Starmer’s government regards reform of the House of Lords as ‘long overdue and essential’
-
The Beckhams: the feud dividing BritainIn the Spotlight ‘Civil war’ between the Beckhams and their estranged son ‘resonates’ with families across the country
-
6 homes with incredible balconiesFeature Featuring a graceful terrace above the trees in Utah and a posh wraparound in New York City
-
The Flower Bearers: a ‘visceral depiction of violence, loss and emotional destruction’The Week Recommends Rachel Eliza Griffiths’ ‘open wound of a memoir’ is also a powerful ‘love story’ and a ‘portrait of sisterhood’
-
Steal: ‘glossy’ Amazon Prime thriller starring Sophie TurnerThe Week Recommends The Game of Thrones alumna dazzles as a ‘disillusioned twentysomething’ whose life takes a dramatic turn during a financial heist
-
Anna Ancher: Painting Light – a ‘moving’ exhibitionThe Week Recommends Dulwich Picture Gallery show celebrates the Danish artist’s ‘virtuosic handling of the shifting Nordic light’
-
H is for Hawk: Claire Foy is ‘terrific’ in tender grief dramaThe Week Recommends Moving adaptation of Helen Macdonald’s bestselling memoir
-
Our Town: Michael Sheen stars in ‘beautiful’ Thornton Wilder classicThe Week Recommends Opening show at the Welsh National Theatre promises a ‘bright’ future
-
Music reviews: Zach Bryan, Dry Cleaning, and Madison BeerFeature “With Heaven on Top,” “Secret Love,” and “Locket”
