Shelagh Delaney's unflinching debut – which she wrote when she was still in her teens – was a "real jolt to the system" when it premiered at The Theatre Royal, Stratford, in 1958, said Chris Bartlett in The Stage.
It tells the story of Jo, a white teenager from Salford who has a troubled relationship with her alcoholic mother, is left pregnant as a result of an affair with a black sailor, and befriends a gay artist, with whom she forms an unconventional family. Written nine years before homosexual acts were decriminalised, it "opened theatregoers' eyes to a hitherto unexplored side of British society". There is a risk that a "kitchen-sink" drama of that era will no longer seem "vital and relevant" to modern audiences. But Emma Baggott's "period-perfect" production dispels such concerns. It nails the "horribly dysfunctional" mother-daughter relationship at the play's core, and leans into its "dreamy magic realism" to great effect.
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