If you seek the "fashionable Elizabethan melancholy" that has dominated so many productions of "Twelfth Night", you should "pack up your lyre and go elsewhere", said Rachel Halliburton in The Times. Robin Belfield's "carnivalesque" new staging of Shakespeare's "tale of mistaken identities and thwarted desires" at the Globe is a "riotous celebration of life".
Belfield emphasises the farcical elements and the themes of gender and sexual fluidity, said Dzifa Benson in The Daily Telegraph – while Jean Chan's design adds to the mood of "licensed disorder", with a gleeful mishmash of eras and styles. With strong acting and a vibrant comic energy, it makes for a late-summer "jamboree" that's "joyfully tongue-in-cheek".
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