Black Rabbit: slick crime thriller set in a high-end New York restaurant
Two Manhattan brothers resort to ‘ever-more high-stakes’ schemes to tackle ‘huge’ gambling debts in the ‘glossy’ series

Netflix has been searching for a new “dark crime drama” since “Ozark” concluded in 2022, said Tim Glanfield in The Times. And with the “glossy” thriller “Black Rabbit”, it feels like it has finally struck gold.
Jude Law stars as Jake Friedken, a “slick operator” whose fashionable restaurant-cum-nightclub Black Rabbit has made him the toast of Manhattan society. When his dishevelled, gambling addict brother Vince (Jason Bateman) comes back into his life, Jake’s first instinct might have been to cast him adrift; but they share a complicated past (including a stint in a band) that binds them – and so instead, he offers him a job.
Their fraternal bond is severely challenged, however, when a gangster turns up, demanding that Vince repay his huge gambling debts, said Lucy Mangan in The Guardian. Successful as Jake’s restaurant appears to be, he can’t stump up that much cash, so the pair resort to ever-more high-stakes schemes in an effort to find it.
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
We know how all this sort of thing goes, and “the law of diminishing returns for the viewer sets in pretty quickly”. To make it worse, the brothers are so “unlovely”, it is hard to care about either of them; many of the supporting characters “are little more than ciphers”; and the whole thing is decidedly cheerless.
The series ratchets up the stress levels, said Rebecca Nicholson in the Financial Times; it ably conveys its sleazy nightclub milieu, and along with the splashy violence, it has an intriguing strain of melancholy about squandered potential. But it never quite adds up to the sum of its parts.
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
‘Are we just going to stand in passive witness to the degradation of our democracy?’
Instant Opinion Opinion, comment and editorials of the day
-
Do Republicans have a health care plan?
Today's Big Question The shutdown hinges on the answer
-
The new age of book banning
The Explainer How America’s culture wars collided with parents and legislators who want to keep their kids away from ‘dangerous’ ideas
-
Nathan Harris’ 6 favorite books that turn adventures into revelations
Feature The author recommends works by Kazuo Ishiguro, Ian McGuire, and more
-
Book reviews: ‘Enshittification: Why Everything Suddenly Got Worse and What We Can Do About It’ and ‘It Girl: The Life and Legacy of Jane Birkin’
Feature How big tech is betraying its users and how Jane Birkin’s allure led her to struggle with her own self-worth
-
The delightful, smutty world of Jilly Cooper
In the Spotlight Millions mourn the ‘Mrs Kipling of sex’
-
Why photo booths are enjoying a revival
In The Spotlight It’s 100 years since it first appeared, but the photo booth is far from an analogue relic
-
Lee Miller at the Tate: a ‘sexy yet devastating’ show
The Week Recommends The ‘revelatory’ exhibition tells the photographer’s story ‘through her own impeccable eye’
-
6 eye-catching rounded homes
Feature Featuring a central spiral staircase in Michigan and a Balinese-style estate with ocean views in Hawaii
-
A House of Dynamite: a ‘nail-biting’ nuclear-strike thriller
The Week Recommends ‘Virtuoso talent’ Kathryn Bigelow directs a ‘fast-paced’ and ‘tense’ ‘symphony of dread’
-
The Finest Hotel in Kabul: a ‘haunting’ history of modern Afghanistan
The Week Recommends Lyse Doucet’s sensitively written work traces over 50 years of Kabul’s ‘Inter-Con’ hotel