A “highly secretive journey” is being mapped out to take the Bayeux Tapestry across the Channel to loan to the British Museum, said ITV News. The 70 metre-long embroidery of the 1066 Battle of Hastings is the “single most recognisable and understood object in our history”, former chancellor George Osborne, now chair of the museum, told the Financial Times. “The only thing that comes close is Stonehenge, and nobody’s going to be moving that any time soon.”
‘Nothing left to chance’ The announcement of the 10-month loan, starting in September, “caused uproar” in France, said The Telegraph. La Tribune de l’Art newspaper launched a petition that amassed around 78,000 signatures from people protesting against the move due to the fragile condition of the tapestry. An assessment of the fabric in 2021 found that it contained “24,000 stains, 16,445 creases, almost 10,000 areas of damage and about 30 tears”.
But a new “highly detailed” report on the arrangements surrounding the tapestry’s transportation has “eased many concerns”, said Le Monde. “Nothing has been left to chance”, said Delphine Christophe, director general of heritage and architecture in the Ministry of Culture.
‘Full dress rehearsals’ British roads – which generate “far more intense and constant vibrations” than their French counterparts – have been the main source of concern, said Le Monde. Teams have tested seven routes, and experts have “mapped every pothole and bump along the route from Bayeux to the British Museum”. Vibrations have now been “reduced by 96%”.
The tapestry, which has left Bayeux only twice in 950 years, will be transported in a 1.6-ton “specially built climate-controlled crate” that will be “suspended in mid-air” to minimise adverse motion. Two “full dress rehearsals” using a replica have already taken place, while the real tapestry is stored in a “secret location”.
When it finally arrives, this will be the “museum event of the century”, said Apollo Magazine, but it may not be the easiest viewing experience. Time slots will be limited to 40 minutes. Given the tapestry’s length, “that means each visitor has about 34 seconds to move along the work in 7cm intervals”.
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