What does Enid Blyton’s Land of Spells have in common with the Bay of Pentos in “Game of Thrones”? asked The Guardian. Both were portrayed by the same “sunny archipelago in the Mediterranean”: Malta.
The EU’s smallest country, “no bigger in size than Sheffield”, has over the past decade become “one of the most popular places” for American and British filmmakers to work. It has hosted more than 30 movie and TV productions in each of the past three years, including “Jurassic World Rebirth” and Ridley Scott’s “Gladiator II”. The “microstate” just south of Sicily has stood in for Greece, southern France and even the Caribbean – in Guy Ritchie’s upcoming “Viva la Madness”.
Malta is “really punching above its weight”, said Adrian Wootton, the chief executive of the British Film Commission. It’s been “very aggressive, in a positive way”.
One of the reasons for its success is that productions have benefitted from a “hefty 40% tax rebate”. It’s probably “the most generous cash rebate in the world”, Aidan Elliott, executive producer on “Gladiator II” and “Napoleon”, told Deadline.
As ever with “generous rebates”, there has been “some local pushback”, said Deadline. Malta’s infrastructure is “being tested to the limits as its cities, towns and villages regularly turn into film sets”, according to The Guardian. Road closures and parking restrictions “have become a bugbear” for locals.
And critics say Malta’s rise as a filming location has “come at the cost of neglecting local cinematic talent”. “It is tempting to sit back and believe the local film industry to be ‘strong’ simply because many foreign productions shoot in Malta,” said producer Malcolm Scerri Ferrante in the Times of Malta. But volume alone “does not constitute a robust film industry, and certainly not an indigenous one”.
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