The 2022 Oscar nominations' biggest snubs and surprises
Bet you didn't see this coming...
When the 2022 Oscar nominations were announced, literally the first name read was a surprise — and it only became more of a rollercoaster from there.
The Academy Award nominations, revealed Tuesday, were chock full of jaw-dropping surprises, with at least one alleged frontrunner somehow missing from the list entirely and a few films performing far better than expected.
Let's take a look at the biggest snubs and surprises of this year's nominations and what they might say about the state of the race less than two months out from the ceremony on March 27.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Snub: No Lady Gaga for Best Actress
Pundits were expecting a massive Best Actress snub, and they got one — just not the one they expected. When Spencer's Kristen Stewart missed a nomination at the Screen Actors Guild Awards and the British Academy Film Awards, it seemed like she'd be snubbed at the Oscars as well. Instead, Stewart actually made it in, but Lady Gaga was left out for House of Gucci.
It was one of the most stunning Oscar snubs in recent years, especially considering Gaga was actually the only lead actress contender to be nominated at all of the precursor ceremonies this year, including SAG and BAFTA, which led some pundits to declare her the frontrunner to win as recently as last week.
The race is probably now down to Nicole Kidman and Olivia Colman, but could Stewart still be in this thing?
Surprise: 'Drive My Car' for Best Picture and Best Director
Another surprise was the epically long Japanese drama Drive My Car scoring a Best Picture spot. Critics who honored the film with their top prizes surely helped put it on Oscar voters' radar, and it's another example of the way the Academy, which awarded a non-English film Best Picture for the first time two years ago, has become increasingly international. In fact, Drive My Car performed well across the board, with Ryusuke Hamaguchi also getting a surprise Best Director nod and the film making it into Best Adapted Screenplay, too.
Snub: No 'Tick, Tick … Boom!' for Best Picture
Meanwhile, Netflix's musical Tick, Tick … Boom! scored Andrew Garfield a Best Actor nomination, but it missed out on a Best Picture spot, probably because Guillermo del Toro's Nightmare Alley squeezed in instead. Sorry, Netflix: you'll have to settle for just two Best Picture contenders this year.
Surprise: Jessie Buckley and Judi Dench for Best Supporting Actress
The supporting actress category also offered some surprises, namely Buckley and Dench sneaking in for The Lost Daughter and Belfast, respectively.
Snub: No Caitriona Balfe or Ruth Negga for Best Supporting Actress
With Buckley and Dench in, though, Balfe and Negga were both out for Belfast and Passing, despite many pundits previously seeing Balfe as one of the top two or three contenders to win.
Snub: No Peter Dinklage or Leonardo DiCaprio for Best Actor
There seemed to be one open spot in the Best Actor race — and it ended up going to Javier Bardem for Being the Ricardos, not Peter Dinklage for Cyrano or Leonardo DiCaprio for Don't Look Up. Nicolas Cage was also considered a dark horse for Pig but didn't make it in.
Surprise: J.K. Simmons for Best Supporting Actor
Being the Ricardos got one more acting nod than expected, with Nicole Kidman and Javier Bardem not only nominated but Simmons also unexpectedly getting recognized for his performance as William Frawley.
Snub: No Jared Leto or Bradley Cooper for Best Supporting Actor
Gaga wasn't the only House of Gucci star to get blanked, as Leto's divisive performance in the film also didn't net him a nomination. Bradley Cooper didn't get in for his deranged turn in Licorice Pizza, either, and Belfast's Jamie Dornan, The Tender Bar's Ben Affleck, and West Side Story's Mike Faist were notably missing as well.
Snub: No Denis Villeneuve for Best Director
Jane Campion will almost certainly win Best Director for The Power of the Dog, but if there was a runner-up, some experts felt it was Denis Villeneuve for Dune, who was previously nominated at the Directors Guild of America Awards. But Villeneuve ended up not getting a directing nod, despite his sci-fi epic scoring 10 nominations including Best Picture.
Snub: No 'West Side Story' and 'Being the Ricardos' for screenplay
Both films shockingly failed to earn screenplay nominations, the latter of which was particularly surprising considering Being the Ricardos was written by Aaron Sorkin, who has been nominated for writing Oscars four previous times and won for The Social Network. Plus, West Side Story missing both screenplay and editing nominations should confirm it probably won't be able to win Best Picture.
Surprise: 'The Worst Person in the World' for Best Original Screenplay
The critically-acclaimed Norwegian film The Worst Person in the World showed up in the Best Original Screenplay category where Being the Ricardos was nowhere to be found, marking a big get for the film even if its lead, Renate Reinsve, couldn't earn a Best Actress nomination like she did at the BAFTAs.
Snub: No 'Belfast' for Best Film Editing
And now for our yearly reminder that editing is actually a pretty crucial category, as Best Picture winners are almost always nominated here. So it was a big deal that Belfast missed, as pundits have generally been viewing it as the next-in-line contender for Best Picture after The Power of the Dog. Considering The Power of the Dog did get an editing nomination, and none of the other editing nominees seem like especially strong Best Picture contenders, it's looking even more dominant.
A lot can change in the coming weeks, but it sure seems like Netflix's quest for Best Picture is finally about to be a success.
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
Brendan worked as a culture writer at The Week from 2018 to 2023, covering the entertainment industry, including film reviews, television recaps, awards season, the box office, major movie franchises and Hollywood gossip. He has written about film and television for outlets including Bloody Disgusting, Showbiz Cheat Sheet, Heavy and The Celebrity Cafe.
-
People of the year 2024
In the Spotlight Remember the people who hit the headlines this year?
By The Week UK Published
-
The Christmas quiz 2024
From the magazine Test your grasp of current affairs and general knowledge with our quiz
By The Week UK Published
-
Crossword: December 25, 2024
The Week's daily crossword
By The Week Staff Published
-
The unstoppable rise of the Christmas jumper
In The Spotlight The novelty garments have fallen in and out of fashion over the past 70 years
By Chas Newkey-Burden, The Week UK Published
-
Blake Lively accuses rom-com costar of smear job
Speed Read The actor accused Justin Baldoni, her director and costar on "It Ends With Us," of sexual harassment and a revenge campaign
By Peter Weber, The Week US Published
-
2024: the year of movie musicals
In the Spotlight 'Wicked' is merely the latest in a run of musical-minded films this year
By Scott Hocker, The Week US Published
-
2024 and the rebirth of body horror
Talking Point In a year of female-focused 'scintillating gore', have horror films gone too far?
By Chas Newkey-Burden, The Week UK Published
-
Movies to watch in December, including 'Nosferatu' and 'Babygirl'
The Week Recommends A vampire classic reimagined, a Bob Dylan biopic, and an erotic thriller
By Anya Jaremko-Greenwold, The Week US Published
-
Is it OK to sing at the movies?
Today's Big Question 'Wicked' sing-alongs produce an audience backlash
By Joel Mathis, The Week US Published
-
'Wicked' and 'Gladiator II' ignite holiday box office
Speed Read The combination of the two movies revitalized a struggling box office
By Peter Weber, The Week US Published
-
Can AI tools be used to Hollywood's advantage?
Talking Points It makes some aspects of the industry faster and cheaper. It will also put many people in the entertainment world out of work
By Anya Jaremko-Greenwold, The Week US Published