Why is Jurassic World's big finale about bugs?
One of the summer's most-anticipated blockbusters took the 'buzz' a little too literally


Did Universal find a way to give the Jurassic Park series a satisfying conclusion? It may depend on what you're looking for, but hopefully, it's ... giant locusts?
Jurassic World Dominion caps the trilogy that began with 2015's Jurassic World, though it's also advertised as the conclusion of the entire Jurassic Park series. By the end of the last movie, Isla Nublar was decimated by a volcano and dinosaurs were moved onto the mainland before being set loose by a young girl who's actually a clone of a wealthy philanthropist's dead daughter. Yeah, long story.
Hold onto your bugs
There are two key hooks with Dominion, one being that it's the series' first film to fully leave the island and center around dinosaurs on the mainland. But after this juicy setup from Jurassic World: Fallen Kingdom, a common complaint among critics is that Dominion makes the bizarre decision to have its main conflict revolve not so much around dinosaurs but instead around … insects.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Yes, the plot involves giant, genetically modified locusts, which pose a threat to the planet's food supply.
The film "inexplicably puts bugs at the forefront," making the dinosaurs "simply peripheral," writes Bloody Disgusting's Meagan Navarro, and Insider's Kirsten Acuna questioned the odd choice for the overarching plot in the finale of a dinosaur franchise to have "nothing to do with dinosaurs whatsoever."
While there are "dinosaurs in basically every scene," notes io9's Germain Lussier, they "act as a mere distraction from the plot." So despite its predecessor's great sequel hook, Variety's Peter Debruge says Dominion doesn't really engage with the idea of dinosaurs coexisting with humans "in a meaningful way" like you'd want, and CNET's Richard Trenholm writes that the film "wimps out" on the premise that was teased. Besides, The Atlantic's David Sims notes locusts "make for a far less effective adversary than a good old-fashioned tyrannosaur."
Plus, fans who were excited to finally get off the island in Dominion may be disappointed to learn the movie takes the characters to a remote dinosaur sanctuary — which, according to critics, plays out similarly to if they were just back on the island again.
Well, there it is
Dominion's other big hook is that it's the first film since 1993's Jurassic Park to reunite Alan Grant (Sam Neill), Ellie Sattler (Laura Dern), and Ian Malcolm (Jeff Goldblum), mixing them with the new characters like Owen Grady (Chris Pratt) and Claire Dearing (Bryce Dallas Howard). Thankfully, the original trio's reunion is as "delightful as one would expect" and doesn't feel "shoehorned," IGN's Amelia Emberwing says, and they "deliver in every way that fans might hope, effortlessly stepping back into their iconic roles," ScreenRant's Ben Kendrick writes.
At the same time, The Associated Press' Lindsey Bahr argues bringing back the original characters reminds us "how little we have come to care about the new cast," and ScreenCrush's Matt Singer says their "innate likability" doesn't "change the fact that there isn't a single valid reason for any of them" to be here. The old and new heroes are involved in two separate storylines that eventually converge, but getting everyone together requires some plot "absurdity," CNN's Brian Lowry says — and it takes a while for them to meet.
Despite its bug fixation, Dominion boasts "compelling and convincing" dinosaur action sequences throughout, says Forbes' Scott Mendelson. One highlight is a "truly spectacular" raptor chase in Malta, Deadline's Pete Hammond writes, and Nerdist's Rosie Knight thinks you'll have fun with this "rip-roaring dinosaur action movie" if your favorite parts of the franchise are the "gruesome kills." Other critics were less impressed with the action, though, with Mashable's Kristy Puchko saying much of it is a "murky mess" and the Los Angeles Times' Justin Chang writing it's "astonishing how little tension or even momentary menace" director Colin Trevorrow creates.
The Jurassic franchise's Rise of Skywalker?
For some critics, Dominion felt like this series' Star Wars: The Rise of Skywalker: an underwhelming final chapter with plenty of fan service and nostalgia but that seems to ignore what the last film set up. It's a "comfort-food finale that plays a few fresh numbers," writes USA Today's Brian Truitt, "but mainly sticks to the hits," and by the end, it essentially turns into a "beat-for-beat re-creation of previous films' set pieces," according to The Washington Post's Thomas Floyd.
Some reviews still deemed Dominion the best of the Jurassic World trilogy or even the second-best of the series after the original, while others slammed it as the franchise's new low point — and on Rotten Tomatoes, it has the worst score of any Jurassic flick yet. Clearly, ending a long-running series in a satisfying way is no walk in the park.
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
Brendan worked as a culture writer at The Week from 2018 to 2023, covering the entertainment industry, including film reviews, television recaps, awards season, the box office, major movie franchises and Hollywood gossip. He has written about film and television for outlets including Bloody Disgusting, Showbiz Cheat Sheet, Heavy and The Celebrity Cafe.
-
Mutually Assured Destruction: Cold War origins of nuclear Armageddon
In Depth After the US and Soviet Union became capable of Mutually Assured Destruction, safeguards were put in place to prevent World War Three
-
Crossword: June 19, 2025
The Week's daily crossword
-
Codeword: June 19, 2025
The Week's daily codeword puzzle
-
Film reviews: The Life of Chuck, How to Train Your Dragon, and From the World of John Wick: Ballerina
Feature A backward trip through one ordinary life, a young Viking tames a monstrous foe, the franchise's new assassin chases revenge
-
Film reviews: The Phoenician Scheme, Bring Her Back, and Jane Austen Wrecked My Life
Feature A despised mogul seeks a fresh triumph, orphaned siblings land with a nightmare foster mother, and a Jane fan finds herself in a love triangle
-
5 horror movies to sweat out this summer
The Week Recommends A sequel, a reboot and a follow-up from the director of 'Barbarian' highlight the upcoming scary movie slate
-
Fast-and-furious zombies, serial killer sharks and a matchmaking conundrum in June's new movies
the week recommends Danny Boyle is back with '28 Years Later' and Dakota Johnson has a Sophie's choice to make in 'Materialists'
-
Is Hollywood losing its luster?
Today's Big Question Television and film production is moving, leaving Hollywood to ponder its place in pop culture
-
Film reviews: Mission: Impossible—The Final Reckoning, Lilo & Stitch, and Final Destination: Bloodlines
Feature Tom Cruise risks life and limb to entertain us, a young girl befriends a destructive alien, and death stalks a family that resets fate's toll.
-
Film reviews: Friendship and Fight or Flight
Feature An awkward dad unravels after he's unfriended and Josh Hartnett attempts a John Wick sidestep
-
Crime alongside friendship, death as unrelenting force, and a music star's album companion piece all star in May's movies
The Week Recommends The Weeknd is back on the big screen, Wes Anderson pulls another ensemble cast and a horror franchise about death gets a new life