John Oliver pelts his A-list TV rivals with a salmon cannon

John Oliver pelts his A-list TV rivals with a salmon cannon
(Image credit: Last Week Tonight)

John Oliver often tries to use his Last Week Tonight platform to highlight serious and underreported stories with a healthy dose of comedy leavening — 60 Minutes for the Daily Show set. But in this clip from Sunday night, Oliver just went for the fun.

The anchor story was funny in its own right — in the Pacific Northwest, they have started using salmon cannons to replace fish ladders as a way for migrating salmon to get up hydroelectric dams to spawn. Oliver has obviously never had fresh Pacific salmon. But he was so jazzed by the story that he had Last Week Tonight build its own salmon cannon. This one is magic: In goes the fish, out comes Jon Stewart's face. And Jimmy Fallon's. And Letterman's. And that's just the beginning. John Oliver obviously has friends in high places — or HBO does — but either way it's an impressive and delightfully slapstick way to end his first season. --Peter Weber

Subscribe to The Week

Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

SUBSCRIBE & SAVE
https://cdn.mos.cms.futurecdn.net/flexiimages/jacafc5zvs1692883516.jpg

Sign up for The Week's Free Newsletters

From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.

From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.

Sign up
To continue reading this article...
Continue reading this article and get limited website access each month.
Get unlimited website access, exclusive newsletters plus much more.
Cancel or pause at any time.
Already a subscriber to The Week?
Not sure which email you used for your subscription? Contact us
Peter Weber, The Week US

Peter has worked as a news and culture writer and editor at The Week since the site's launch in 2008. He covers politics, world affairs, religion and cultural currents. His journalism career began as a copy editor at a financial newswire and has included editorial positions at The New York Times Magazine, Facts on File, and Oregon State University.