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Monika Bartyzel

Monika Bartyzel is a freelance writer and creator of Girls on Film, a weekly look at femme-centric film news and concerns, now appearing at TheWeek.com. Her work has been published on sites including The Atlantic, Movies.com, Moviefone, Collider, and the now-defunct Cinematical, where she was a lead writer and assignment editor.

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Girls on Film: Why 'Me, too!' is the most undervalued phrase in Hollywood

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Girls on Film: It's time to push back against 'sexy' costumes for girls

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The outrageous, surprising, and prescient legacy of Boston Legal

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Girls on Film: 5 TV actresses who deserve much better movie roles

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Girls on Film: There is no 'true' version of Gone Girl

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Girls on Film: A documentary series that finally puts women back in the history books

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Girls on Film: Laggies embraces a new era of self-discovery

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Toronto International Film Festival: 6 more movies you should know about

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Girls on Film: Why the Toronto International Film Festival is the best platform for female filmmakers

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Toronto International Film Festival: 6 movies you should know about

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Girls on Film: Clouds of Sils Maria is a beautiful look into fame and womanhood

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Girls on Film: Belle is one of the most groundbreaking, joyous movies of the summer

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Girls on Film: 5 ways movies can be as diverse as television

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Girls on Film: The true cultural legacy of Sex, Lies, and Videotape

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Girls on Film: 5 things that need to happen before Hollywood will ever truly change

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Why The Big Chill still matters

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Girls on Film: Why audiences are responsible for the future of cinema

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Girls on Film: Lucy is the shot in the arm the superhero genre needs

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Wish I Was Here is Zach Braff's latest exercise in painful self-indugence

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Girls on Film: Forget When Harry Met Sally. Men and women can be friends.

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Girls on Film: The darkly sexual lessons of Nymphomaniac

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Girls on Film: Movies can help defeat society's female body problem

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Girls on Film: How They Came Together saved the romantic comedy by blowing it up

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Girls on Film: 10 lesbian filmmakers you should know about

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Girls on Film: Hollywood keeps stranding women at the Edge of Tomorrow

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