Theatre of the week: Copenhagen, Happy Days, and Amadigi

What the critics are saying about these three acclaimed openings

Lisa Dwan in Happy Days
Lisa Dwan in Happy Days: ‘the prima donna assoluta’

Michael Frayn’s “copperbottomed modern classic” Copenhagen is a shrewd choice for staging amid the ongoing Covid uncertainty, said Dominic Cavendish in The Daily Telegraph. It features just three “carefully spaced” actors, no singing or dancing – and “enough food for thought” to leave theatregoers well “stocked up if the shutters came down again”.

This “demanding but brilliant” drama is about a meeting between nuclear physicists Niels Bohr and Werner Heisenberg in the Nazi-occupied Danish capital in 1941, said Patrick Marmion in the Daily Mail.

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