The week’s other opening

The Frequency of Death!

Eisemann Center

Richardson, Texas

Kurt Kleinmann’s convoluted whodunit is “thin and silly,” but it’s also as glamorous as the 1930s B-movies it emulates, said the Dallas Observer. “Visually, the production is pretty spectacular.” The multilevel art deco set, the costumes, and the makeup are exclusively black and white, thus blending the effects of film and stage.

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