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A columnist for The Nation, Eric Alterman is most recently the author of It Ain’t No Sin to Be Glad You’re Alive: The Promise of Bruce Springsteen (Back Bay Books, $14).
Lost Illusions by Honoré de Balzac (Viking Press, $14). The best book ever about the contemporary mores of elite American journalism was written in the mid-19th century by a Frenchman. The more things change…
Anna Karenina by Leo Tolstoy (Modern Library, $10). War and Peace without the preachy metaphysics. Seriously, to read this book is to fall in love, though not happily. But if you need me to recommend Leo Tolstoy, well, I’m afraid I can’t help you.
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Join more than 350,000 subscribers and keep yourself informed with a selection of The Week’s most interesting, enlightening and entertaining stories - plus daily puzzles.
Join more than 350,000 subscribers and keep yourself informed with a selection of The Week’s most interesting, enlightening and entertaining stories - plus daily puzzles.
The Counterlife by Phillip Roth (Vintage Books, $14). Roth hit his stride as never before with a book—presented as a kind of postmodern afterthought to the famed Zuckerman trilogy—that looks deep into the hearts and minds of men and finds just more penises. Brilliant, funny, deep, and dirty. A perfect book, really.
Rabbit, Run by John Updike (Ballantine Books, $14). Is it possible to write the great American novel anymore? No, the country is too diverse and its culture too self-contradictory. But John Updike gets an A for effort for spending nearly 40 years trying—as well as for leaving in the dirty (racist, sexist, imperialist) parts.
High Fidelity by Nick Hornby (Riverhead Books, $13). Not everything in life that’s great has to be high-minded. I almost picked Flaubert’s Sentimental Education here, which is undoubtedly a “better” book, but nowhere near as much fun. Maybe it’s a guy thing, but I laughed, I cried, I wished it would never end.
The Path to Power: The Years of Lyndon Johnson, Volume I by Robert Caro (Knopf, $35). This is volume one of a proposed history that will likely run up to more than 4,000 pages. Yet each page is meticulously researched, beautifully written, and frequently both astounding and moving at the same time. A perfect marriage of writer to subject and an archetypal work of historical reconstruction, and written by a nonhistorian. It edges out Caro’s other masterpiece, The Power Broker, only because of its wayyy larger-than-life subject.
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