Kirsten Dunst brings her Marie Antoinette to Orlando in On Becoming a God in Central Florida
Showtime's new dark comedy may be Dunst's career-best performance
Krystal Stubbs is trashy. She is called as much in her first scene in Showtime's On Becoming a God in Central Florida, when her purple eye shadow is wiped off her face in reprimand. But we don't really need to be told. She wears denim-on-denim, errs on the side of showing too much cleavage, bedazzles her bras, and looks at home straddling a bright pink ATV. She lives in Florida, is married to an insurance salesman, and works at a water park. The world has already made up its mind about women like Krystal.
Yet Kirsten Dunst, who plays Krystal and serves as an executive producer for On Becoming a God, will assure you that you don't. Not really. You realize this during the pilot, when Krystal leans over her boss' desk and hisses "I'm not some sucker" in response to his accusation that she's involved in a scam. And, well, she is involved in a scam: Her husband Travis (Alexander Skarsgård) is a devotee of an Amway-like MLM pyramid scheme hawking worthless household essentials for Founders American Merchandise, or "FAM," and she is expected to be his cheerleader. But Krystal's reaction makes it clear: no matter how it looks from the outside, don't ever mistake her for a fool.
The moment is one of many things about On Becoming a God in Central Florida that shatters expectations. For another, On Becoming a God is an incredibly strange and off-kilter show — The Favourite director Yorgos Lanthimos was originally attached to helm the project, and it's easy to see why he was attracted to the darkly comic material. It's also Emmy-worthy-great, which you might not expect from a series that spent three years in limbo, bouncing from AMC to YouTube Premium to Showtime, where it finally premieres Sunday (the first two episodes can already be streamed for free online). Then there is the fact that it might very well be Dunst's best performance of her career.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Oddly enough, what Dunst brings to her portrayal of Krystal has its roots in her turn as the queen of Versailles in 2007's Marie Antoinette. Known to history as a spoiled brat who saccharinely dismissed the starving peasants of France, Dunst instead poured compassion into her portrayal of the former Archduchess of Austria, who was married off to the heir apparent of France at only 14. In Marie Antoinette, Dunst gives us a portrait of a woman whose determination ultimately allows her to take control of the unfair circumstances thrust upon her — and had the last queen of France instead been a lower-middle-class water park employee living outside Orlando in the year 1992, she might have looked a lot like Krystal Stubbs.
I don't think I really understood the physical mechanics of the phrase "glint in her eye" until Dunst's Krystal, who relies on feminine guiles to get her way but will quickly resort to a kind of bossy ruthlessness when desperation demands. Dunst's eyes flicker from charming to flinty in a blink, but the cunning in them never dims even when dealing with the vacant, brainwashed devotees of FAM. It's not exactly that she's smarter than everyone else around her — family friends Ernie (Mel Rodriguez) and Bets (Beth Ditto) are given the same earnest treatment by the script and actors, despite their somewhat farcical natures — but just that she has a more powerful motivation to not hit rock bottom. "I won't be poor again," she tells Travis during one fight, not breaking eye contact. "I won't."
When Krystal gets sucked into the FAM family herself, it is on her own terms (specifically by using a water aerobics class "splashercise" to rope in new members). It turns out she's quite good at manipulating the people around her when she puts her mind to it, and suckering her "downline" begins to become second-nature as the season progresses. It's eat or get eaten, rather literally. Still, she is less Skyler-White-in-Breaking-Bad than she is mom-you-pass-without-thinking-twice-in-Walmart. "[Krystal's] journey is more human. It's a series of compromises, as opposed to a vendetta," explained co-creator Robert Funke to Vanity Fair. In interviews, Dunst has addressed pouring parts of herself into her character, like — being a new mother herself — making sure that in every scene Krystal's baby's location was accounted for.
But for all my admiration of Krystal as a character, she is not without her defeats. In one scene, she holds her baby as a banker explains that they will have to put a lock on her house. "I know how it works, thanks," she interrupts with the weary voice of someone who has been chewed up by the false hope of the American dream before. Dunst generally plays "exhausted" extremely well, from her posture to her curtness when yet another thing gets piled on top of her. She doesn't want the yacht or the helicopter her husband dreams of; she'd be satisfied just with health care.
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
In my favorite of Dunst's moments in On Becoming a God, the one that should get her that Emmy nom, she is in a fight with her husband. Travis comically insists that Krystal should be begging him to be too tired from work to have sex with her, a routine she endures with the heard it all before expression that she wears around the men in her life. "You should be begging me not to get hard," Travis finally blurts and Krystal's expression hardens into contempt. "I don't beg," she replies in a low and dangerous voice, punctuating each word. It's spectacular.
As if to upend any remaining skeptics, the first episode of On Becoming a God ends with Krystal massacring alligators. It is a primal scene in a show that is preoccupied with false appearances, a kind of raw act of justice in a world that otherwise doesn't have any, at least not for people like Krystal. It would play as pure, outrageous comedy if you didn't so believe in Dunst's performance. As she catches her breath, teeth gritted, the exit music starting to play, something flickers across her face that makes you check your laughter. In that powerful half-breath of a moment, Krystal doesn't seem so funny at all.
Jeva Lange was the executive editor at TheWeek.com. She formerly served as The Week's deputy editor and culture critic. She is also a contributor to Screen Slate, and her writing has appeared in The New York Daily News, The Awl, Vice, and Gothamist, among other publications. Jeva lives in New York City. Follow her on Twitter.
-
Band Aid 40: time to change the tune?
In the Spotlight Band Aid's massively popular 1984 hit raised around £8m for famine relief in Ethiopia and the charity has generated over £140m in total
By Rebekah Evans, The Week UK Published
-
Starmer vs the farmers: who will win?
Today's Big Question As farmers and rural groups descend on Westminster to protest at tax changes, parallels have been drawn with the miners' strike 40 years ago
By The Week UK Published
-
How secure are royal palaces?
The Explainer Royal family's safety is back in the spotlight after the latest security breach at Windsor
By Chas Newkey-Burden, The Week UK Published
-
Get physical at these 8 hotels that feature 8 different sports
The Week Recommends After you check in, it's game time
By Catherine Garcia, The Week US Published
-
Make a splash at these 8 refreshing water parks
The Week Recommends Cool off while having a blast
By Catherine Garcia, The Week US Published
-
A guide to Fort Myers
The Week Recommends This city is often considered the gateway to sunny southwest Florida and boasts plenty to see and do
By Dominic Kocur Published
-
7 bars here for your spring thirst
The Week Recommends Seven cities. Seven exciting drinking destinations.
By Scott Hocker, The Week US Published
-
Why baby boomers and retirees are ditching Florida for Appalachia
The Explainer The shift is causing a population spike in many rural Appalachian communities
By Justin Klawans, The Week US Published
-
Scuba diving, sport fishing and six-toed cats: exploring the Florida Keys
The Week Recommends Time stands still on this archipelago
By Catherine Garcia, The Week US Published
-
7 kooky pit stops for your next road trip
The Week Recommends These offbeat attractions are worth pulling over for
By Catherine Garcia, The Week US Published
-
6 national parks worth the trek in the winter
The Week Recommends Don't sleep on the national parks during the off-season
By Catherine Garcia, The Week US Published