Sickert: A Life in Art – macabre works tackling ‘the seedier aspects of urban life’
Works by painter best known for controversial Camden Town nudes displayed at Walker Art Gallery in Liverpool

Walter Sickert (1860-1942) detested the “effete” and decorous style of his late Victorian and Edwardian contemporaries, said Rachel Campbell-Johnston in The Times. The German-born British painter was determined to tackle the seedier aspects of urban life: drinkers, debtors, prostitutes.
His “most controversial contribution” to British art is the series of “sordid psychological studies” known as the Camden Town nudes. Inspired by the notorious “Camden Town murder” of 1907 – a young woman was found dead with her throat cut – he painted “women lying slumped or spreadeagled on squalid iron beds in dimly lit London rooms”.
These macabre works even gave rise to the “improbable” rumour, first circulated by a man claiming to be his son, that Sickert had committed the Jack-the-Ripper murders. But as this fascinating chronological tour of his career in Liverpool shows, Sickert’s work rises above the lurid “true crime” theories.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
He was a “bravely modern” artist of great talent, effortlessly flitting “from portraits to townscapes to theatrical subjects and landscapes, from architectural paintings to domestic interiors to nudes”.
It’s no wonder, though, that Sickert was mistaken for the Ripper, said Jonathan Jones in The Guardian. He even referenced the killer in the title of a painting of his own flat, the “spooky, sensual” Jack the Ripper’s Bedroom (1906-07). Beyond this, his art is loaded with “hints of evil”: depictions of London music halls like Gallery of the Old Bedford (1894-95) have a ghoulish quality completely at odds with the jolly subject matter, hinting at some latently “savage sexuality”.
His nudes have the air of corpses – faces obscure, mouths rendered as black holes. Even his scenes of Venice transform the city – normally a pleasantly anodyne subject for artists – into an “architectural morgue”.
We should take Sickert’s dramatic paintings with a pinch of salt, said Alastair Sooke in The Daily Telegraph. Before committing himself to art, he was an actor– and “he never lost his taste for the theatrical”. His art brims with “melodrama”: an early self-portrait of 1896 sees him “gobbled up by shadow”, his skin “disintegrating”; elsewhere, we glimpse him in costume, sporting spectacles that “he didn’t need”, and even a chef’s hat.
The Camden Town nudes, meanwhile, show a canny appreciation of the “career-accelerating power of notoriety”. Yet however stagey they might seem, these paintings have great art-historical importance. Without Sickert’s “dirty” realism, “there’d be no Bacon, no Freud, no Auerbach”. This is “a tremendous show”.
Walker Art Gallery, Liverpool (0151-478-4199, liverpoolmuseums.org.uk). Until 27 February 2022
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
6 productivity-ready homes with great offices
Feature Featuring an office with a gas fireplace in Oregon and a shared workspace with wraparound windows in Massachusetts
-
Critics' choice: Carrying the flag
Feature The best barbecue in town, Bradley Cooper's cheesesteak restaurant, and more
-
Film review: Materialists
Feature Two suitors seek to win over a jaded matchmaker
-
Music reviews: Haim, Addison Rae, and Annahstasia
Feature "I Quit," "Addison," and "Tether"
-
Anne Hillerman's 6 favorite books with Native characters
Feature The author recommends works by Ramona Emerson, Craig Johnson, and more
-
Book reviews: '1861: The Lost Peace' and 'Murderland: Crime and Bloodlust in the Time of Serial Killers'
Feature How America tried to avoid the Civil War and the link between lead pollution and serial killers
-
Brian Wilson: the troubled genius who powered the Beach Boys
Feature The musical giant passed away at 82
-
Grilled radicchio with caper and anchovy sauce recipe
The Week Recommends Smoky twist on classic Italian flavours is perfect to grill, drizzle and devour