Heather Phillipson, the artist who made “the installation of whipped cream topped with a cherry, drone and fly” that currently sits atop Trafalgar Square’s fourth plinth, has been nominated for this year’s Turner Prize, said Miranda Bryant in The Times.
The Turner Prize, established in 1984, is “one of the international art world’s major awards”, said Alex Marshall in The New York Times. It has long been a divisive event: in the 1990s, contenders including Damien Hirst, Rachel Whiteread and Tracey Emin were judged sufficiently controversial to inspire tabloid outrage. More recently, critics have complained that the nominees were “too obscure or that their work was more activism than art”.
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Last year, the prize was won by Array Collective, an 11-strong group of artists from Northern Ireland who attend protests “while holding homemade props and humorous banners”; in 2019, the nominees declared themselves joint winners, stating that their highly political work was “incompatible with the competition format”.
This year will be a vintage one, said Adrian Searle in The Guardian. “What a good Turner Prize shortlist this is”: the four artists work in an array of media, yet there are “thematic crossovers between them”. Pollard and Ryan, who both came from the Caribbean to the UK as children in the 1950s, address “the legacies of colonialism and migration”; Sin, born to a Hong Kong Chinese father and an English mother in 1991, questions “identity and place” in an altogether different way. All four artists look towards “growth, revival and reinvention”. In these times, such values are “needed more than ever”.
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