Edvard Munch: Masterpieces from Bergen exhibition review
This must-see show features 18 paintings covering a crucial period when Munch’s work shifted markedly
In the UK, we tend to think of Edvard Munch (1863-1944) as a master of “existential angst”, said Florence Hallett in The i Paper. Yet as this exhibition at the Courtauld Gallery makes clear, that characterisation is only half right. Featuring 18 paintings on loan from a major collection of Munch’s work in Bergen, in his native Norway, it covers a crucial period, in the 1880s and 1890s, when his work shifted from dalliances with French impressionism to “the sparse, vibrant” portraits that have come to define him. These works – most of which have never been seen in Britain before – reveal that Munch was a resourceful artist, adept at capturing both “emotional intensity” and “the eerie, magical quality of Norwegian light”.
It’s “fascinating” to see how indebted Munch was to the French painters whose work is so well-represented at the Courtauld, said Jackie Wullschläger in the FT. Spring Day on Karl Johan Street (1890), which he painted after a visit to Paris, is a pointillist depiction of Oslo’s main thoroughfare on a sunny morning; the crowd is depicted as bright flecks, and its palette could almost belong to Seurat. Yet two years later, in Evening on Karl Johan Street, we see the same boulevard in dramatically different style. Dark figures loom forward, their faces like “pale masks”, their “button eyes” gazing straight at us through a haze of artificial light. This “breakthrough” painting paved the way for later “tormented” visions such as At the Deathbed (1895), inspired by his memories of his sister’s death from tuberculosis. Dark figures surround the bed, their pain and grief conveyed by “white or burning faces”, and hands that are “clenched, or gripping the bed, or in prayer”.
There is something spectacular in Munch’s depictions of “human misery”, said Laura Cumming in The Observer. Yet he was capable of subtlety, too. The paintings inspired by visits to his seaside home are transfixing: in Inger on the Beach (1889), we see his sister seated “among glowing rocks on the shore, her white dress incandescent in the gloaming”; and in Moonlight on the Beach (1892), five moons hang down, illuminating the scene “like a string of jewels”. Other works force one to marvel at Munch’s “extraordinary technique”, with his “lustrous pearl and silver strokes”, “insistent whorls”, and “seeping stains and haloed heads”. In his work, hair “takes on a life of its own”, while figures march straight out from the canvas. Perhaps strangest of all, in this must-see show, is a self-portrait he made in 1909 after having a breakdown: against a chaotic backdrop, the artist sits “upright and composed in a neat three-piece suit”. It’s “electrifying”.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
The Courtauld Gallery, London WC2 (020-3947 7711, courtauld.ac.uk). Until 4 September
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Why Bhutan hopes tourists will put a smile back on its face
Under The Radar The 'kingdom of happiness' is facing economic problems and unprecedented emigration
By Chas Newkey-Burden, The Week UK Published
-
7 beautiful towns to visit in Switzerland during the holidays
The Week Recommends Find bliss in these charming Swiss locales that blend the traditional with the modern
By Catherine Garcia, The Week US Published
-
The Week contest: Werewolf bill
Puzzles and Quizzes
By The Week US Published
-
Her Lotus Year: Paul French's new biography sets lurid rumours straight
The Week Recommends Wallis Simpson's year in China is less scandalous, but 'more interesting' than previously thought
By The Week UK Published
-
Say Nothing: 'sensational' dramatisation of Patrick Radden Keefe's bestselling book
The Week Recommends The series is a 'powerful reminder' of the Troubles
By The Week UK Published
-
Joy: fertility film starring Bill Nighy offers 'dose of seasonal cheer'
The Week Recommends The film about the invention of the fertility treatment is 'unassuming' but may 'sneak up on you'
By The Week UK Published
-
Ed Park's 6 favorite works about self reflection and human connection
Feature The Pulitzer Prize finalist recommends works by Jason Rekulak, Gillian Linden, and more
By The Week US Published
-
6 fantastic homes in Columbus, Ohio
Feature Featuring a 1915 redbrick Victorian in German Village and a modern farmhouse in Woodland Park
By The Week Staff Published
-
Drawing the Italian Renaissance: a 'relentlessly impressive' exhibition
The Week Recommends Show at the King's Gallery features an 'enormous cache' of works by the likes of Leonardo, Michelangelo and Raphael
By The Week UK Published
-
Niall Williams shares his favourite books
The Week Recommends The Irish novelist chooses works by Charles Dickens, Seamus Heaney and Wendell Berry
By The Week UK Published
-
Patriot: Alexei Navalny's memoir is as 'compelling as it is painful'
The Week Recommends The anti-corruption campaigner's harrowing book was published posthumously after his death in a remote Arctic prison
By The Week UK Published