Donatello: Sculpting the Renaissance review – a ‘first-rate exhibition’
The V&A has opened ‘the first substantial exhibition’ of the Italian sculptor’s work ever mounted in Britain
Donatello (c.1386-1466) was “the most revolutionary of all Italian sculptors”, said Laura Cumming in The Observer. “Industrious”, “prolific” and long-lived, the Florence-born master is credited with almost single-handedly creating the sculptural aesthetic of the Italian Renaissance and paving the way for Michelangelo.
“Donatello’s most famous figure is probably the young David in black bronze, the first standing male nude in Renaissance art.” Like no one before him, he “could turn stone into something as supple as warm skin and velvet”, creating “some of the strangest sculptures in art” – “outlandish hybrids of ancient and modern” that fused medieval Catholic imagery with any number of tricks borrowed from classical tradition.
This month, the V&A opened “the first substantial exhibition” of his art ever mounted in Britain, a show that promises to be an “epochal” event. Bringing together a wealth of key sculptures created in a wide range of materials, from marble to bronze to wood, as well as examples of work by Donatello’s followers and contemporaries, it explores the entirety of his trailblazing career. For any art lover, it represents “the chance of a lifetime”.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
By any standard, this is a “first-rate exhibition”, said Alastair Sooke in The Daily Telegraph. Highlights abound: we see an early marble sculpture of David on loan from Florence; “a finger-sucking Christ practically fused with his mother”; and, the “star turn” here, a “notoriously peculiar” bronze of a dancing cherub known as the Attis-Amorino (c.1435-40). Complete with “winged sandals”, “tiny tail” and “odd leggings that leave his genitals exposed”, this “pint-sized hedonist” is an intoxicatingly odd creation.
Donatello, it is rightly stressed, was preternaturally gifted at manipulating materials: originally trained as a goldsmith, he was as adept at metalwork as he was fashioning images from terracotta or “hard, crystalline marble”. Frequently, the results are alchemical. His reliefs, often just a few millimetres deep, conjure “an astonishing sense of spatial recession”.
“There’s a limit, however, to the number of seraphic Virgins and Child you can take,” said Mark Hudson in The Independent. After a while, the show’s masterpieces begin to “blur into one”. Moreover, there are confusing ambiguities of attribution: I lost count of the number of works described as “possibly by Donatello”.
Nevertheless, many exhibits are powerful enough to stop you in your tracks: a “blackened bronze” of the crucifixion from Padua is an “essay in ravaged muscularity”; the so-called Madonna of the Apple endows the “sprawling, sulky” infant Christ with “almost casual, everyday realism”. Donatello himself remains elusive throughout. Yet the works assembled here are remarkable enough to make this “an essential exhibition”.
V&A, London SW7. Until 11 June
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
The mental health crisis affecting vets
Under The Radar Death of Hampshire vet highlights mental health issues plaguing the industry
By Chas Newkey-Burden, The Week UK Published
-
The Onion is having a very ironic laugh with Infowars
The Explainer The satirical newspaper is purchasing the controversial website out of bankruptcy
By Justin Klawans, The Week US Published
-
'Rahmbo, back from Japan, will be looking for a job? Really?'
Instant Opinion Opinion, comment and editorials of the day
By Justin Klawans, The Week US Published
-
Ed Park's 6 favorite works about self reflection and human connection
Feature The Pulitzer Prize finalist recommends works by Jason Rekulak, Gillian Linden, and more
By The Week US Published
-
6 fantastic homes in Columbus, Ohio
Feature Featuring a 1915 redbrick Victorian in German Village and a modern farmhouse in Woodland Park
By The Week Staff Published
-
Drawing the Italian Renaissance: a 'relentlessly impressive' exhibition
The Week Recommends Show at the King's Gallery features an 'enormous cache' of works by the likes of Leonardo, Michelangelo and Raphael
By The Week UK Published
-
Niall Williams shares his favourite books
The Week Recommends The Irish novelist chooses works by Charles Dickens, Seamus Heaney and Wendell Berry
By The Week UK Published
-
Patriot: Alexei Navalny's memoir is as 'compelling as it is painful'
The Week Recommends The anti-corruption campaigner's harrowing book was published posthumously after his death in a remote Arctic prison
By The Week UK Published
-
The Curious Case of Benjamin Button: a 'magical' show with 'an electrifying emotional charge'
The Week Recommends The 'vivacious' Fitzgerald adaptation has a 'shimmering, soaring' score
By The Week UK Published
-
Bird: Andrea Arnold's 'strange, beguiling and quietly moving' drama
The Week Recommends Barry Keoghan stars in 'fearless' film combining social and magical realism
By The Week UK Published
-
Kate Summerscale's 6 favorite true crime books about real murder cases
Feature The best-selling author recommends works by Helen Garner, Gwen Adshead, and more
By The Week US Published