Baz Luhrmann’s Elvis biopic isn’t “as much of a trip” as his 2001 musical Moulin Rouge!, but “it’s never less than stimulating” to look at, said Brian Viner in the Daily Mail – “a spectacle as much as a story”, with plenty of the director’s flourishes, including tricksy editing, split screen and slow-mo. Austin Butler assumes the title role, while Tom Hanks, in a fat suit and acres of prosthetic jowl, is scarcely recognisable as Colonel Tom Parker, Presley’s overbearing manager.
The film covers most of Presley’s life, from his rise to fame in the mid 1950s to his death in 1977: we see him recording those early songs in Memphis; making movies; enlisting in the US army; meeting his future wife Priscilla (Olivia DeJonge); and finally, overweight and unhappy during his lengthy Vegas residency. The story will be familiar to many, but the film offers “a lively reminder” of an extraordinary life.
The trouble is, it’s less a film about Elvis than a “159-minute trailer for a film called Elvis”, said Peter Bradshaw in The Guardian. It feels like a “relentless, frantically flashy montage”, simultaneously “epic and negligible” with “no variation of pace”.
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
The film has nothing profound to say about Presley’s character or music; it “retrofits” him with liberal sensitivities, skirts over the less savoury aspects of his life, and barely hints at the “failure and suffering”. Even in the “Fat Elvis” years, we only ever see “a decorous hint of flab”, and there’s no sight of the “yucky burger binges or the adult diapers”.
The film is oddly shallow, agreed Deborah Ross in The Spectator. Butler is a “charismatic” Elvis, but “we never get to look into his soul”; he’s just a “simple fella who wants to sing the music he loves”. Still, the film does “fizz along”, and though it’s very long, it’s never dull.
-
6 homes for entertainingFeature Featuring a heated greenhouse in Pennsylvania and a glamorous oasis in California
-
Obesity drugs: Will Trump’s plan lower costs?Feature Even $149 a month, the advertised price for a starting dose of a still-in-development GLP-1 pill on TrumpRx, will be too big a burden for the many Americans ‘struggling to afford groceries’
-
The ‘Kavanaugh stop’Feature Activists say a Supreme Court ruling has given federal agents a green light to racially profile Latinos
-
6 homes for entertaining
Feature Featuring a heated greenhouse in Pennsylvania and a glamorous oasis in California
-
Film reviews: ‘Jay Kelly’ and ‘Sentimental Value’Feature A movie star looks back on his flawed life and another difficult dad seeks to make amends
-
6 homes on the Gulf CoastFeature Featuring an elegant townhouse in New Orleans’ French Quarter and contemporary coastal retreat in Texas
-
The vast horizons of the Puna de AtacamaThe Week Recommends The ‘dramatic and surreal’ landscape features volcanoes, fumaroles and salt flats
-
The John Lewis ad: touching, or just weird?Talking Point This year’s festive offering is full of 1990s nostalgia – but are hedonistic raves really the spirit of Christmas?
-
Train Dreams pulses with ‘awards season gravitas’The Week Recommends Felicity Jones and Joel Edgerton star in this meditative period piece about a working man in a vanished America
-
Middleland: Rory Stewart’s essay collection is a ‘triumph’The Week Recommends The Rest is Politics co-host compiles his fortnightly columns written during his time as an MP
-
‘Paper Girl: A Memoir of Home and Family in a Fractured America’ and ‘Unabridged: The Thrill of (and Threat to) the Modern Dictionary’feature The culture divide in small-town Ohio and how the internet usurped dictionaries
