Frozen the Musical: what the critics are saying
Stage production is ‘breathtaking’ but film’s ‘weak story’ and gaping ‘plot holes’ have not been resolved

The 2013 Disney film Frozen – a musical extravaganza about an icy kingdom, estranged royal sisters and supernatural powers – was met with “acclaim, Oscars and delirium”, said Arifa Akbar in The Guardian. Remarkably, this West End stage adaptation lives up to that legacy, and arguably even “exceeds it”.
Michael Grandage’s production, reworked since it premiered on Broadway in 2018, has all the magic of the film and is packed with gorgeous choreography and superb “coups de théâtre”. The use of video effects, lighting and sound are all stunning.
But what really struck me about the adaptation was that it conveys a far greater “sense of a real, beating heart in the relationship between the two tortured sisters”. Samantha Barks’s performance as Elsa is “soaked with sadness”, and the show-stopping power ballad Let It Go is “saturated with emotional drama”.
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
The “breathtaking” magic and “mesmerising meteorological effects” add “a whole new wow”, agreed Patrick Marmion in the Daily Mail. Barks is brilliant as Elsa; Stephanie McKeon is a “saucer-eyed delight” as her devoted sister Anna; and the best supporting characters from the film “sparkle”, especially puppet snowman Olaf.
Fans of the film will love it, said Nick Curtis in the London Evening Standard. The show has undeniable “dazzle and wit”, and the expensively refurbished Drury Lane is a “ravishing” home for it. But the film’s “weak story” and gaping “plot holes” have not been resolved. “A frozen brain can be cured but not a frozen heart, you say? Elsa is immensely powerful but easily captured?” Sorry, Frozen still doesn’t stack up dramatically. “Let it go? I probably could.”
On stage, Frozen “gains in potency from the live connection between actors and audience” – but you also become more aware of the original’s failings, agreed Sarah Hemming in the FT. There are “several underused ideas, characters and plot lines” – and though the story touches on “significant themes, such as loneliness, self-doubt and gender expectations”, it fails to dig into them. But “most o
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
5 dramatically dysfunctional cartoons about the government shutdown
Cartoons Artists take on life without government, foam finger pointing, and more
-
October 4 editorial cartoons
Cartoons Saturday's political cartoons include the Einstein files, defunding the police, and an odd tribute to Jane Goodall
-
Mustardy beans and hazelnuts recipe
The Week Recommends Nod to French classic offers zingy, fresh taste
-
Mustardy beans and hazelnuts recipe
The Week Recommends Nod to French classic offers zingy, fresh taste
-
Susie Dent picks her favourite books
The Week Recommends The lexicographer and etymologist shares works by Jane Goodall, Noel Streatfeild and Madeleine Pelling
-
6 incredible homes under $1 million
Feature Featuring a home in the National Historic Landmark District of Virginia and a renovated mid-century modern house in Washington
-
The Harder They Come: ‘triumphant’ adaptation of cinema classic
The Week Recommends ‘Uniformly excellent’ cast follow an aspiring musician facing the ‘corruption’ of Kingston, Jamaica
-
House of Guinness: ‘rip-roaring’ Dublin brewing dynasty period drama
The Week Recommends The Irish series mixes the family tangles of ‘Downton’ and ‘Succession’ for a ‘dark’ and ‘quaffable’ watch
-
Dead of Winter: a ‘kick-ass’ hostage thriller
The Week Recommends Emma Thompson plays against type in suspenseful Minnesota-set hair-raiser ‘ringing with gunshots’
-
A Booker shortlist for grown-ups?
Talking Point Dominated by middle-aged authors, this year’s list is a return to ‘good old-fashioned literary fiction’
-
Fractured France: an ‘informative and funny’ enquiry
The Week Recommends Andrew Hussey's work is a blend of ‘memoir, travelogue and personal confession’