La Cage aux Folles review: ‘wonderful fun’ at Regent’s Park Open Air Theatre
Beneath all the feathers and sequins, Billy Carter and Carl Mullaney bring real ‘heart’ to their roles

Tim Sheader’s lavish revival of this landmark 1983 musical – about a gay Saint-Tropez nightclub owner and his drag artist partner – is a “total joy”, said Miriam Gillinson in The Guardian. The costumes dazzle, and the choreography is “slick but – even better – very funny”.
Harvey Fierstein’s witty script “still crackles 40 years on”: the farce-style plot involves the couple assuming implausible straight identities to meet their son’s prospective father-in-law, a conservative politician. And Jerry Herman’s “heartfelt score” remains romantic and seductive.
It’s an “opportune” moment to revive this joyous show, said Kirsten Grant in The Daily Telegraph. Political efforts in some US states to restrict drag performances mean that the father-in-law’s plans to shut down La Cage “don’t seem so wildly implausible”. Above all, though, the evening is “just wonderful fun”. The ensemble numbers “fizz with energy”, and almost every scene brings some “lavish new outfit”. Beneath all the feathers and sequins, though, Billy Carter and Carl Mullaney bring real “heart” to their roles as the central couple. Mullaney especially is terrific, and his “spine-tingling” rendition of the famous centre- piece “I Am What I Am” – moving from vulnerability and anguish to rousing pride – is the show’s standout moment.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
“La Cage aux Folles” marks Sheader’s swansong after 16 years as artistic director at Regent’s Park, said Nick Curtis in the Evening Standard. He has done a great job, turning the venue “into a destination and a place to reappraise neglected musicals”. This one, however, doesn’t convince. Forty years on, “La Cage” feels “dated and emotionally hollow, all lamé frock and no knickers”. The plot is as “wispy and lightweight as a marabou feather”, and some of the acting is pretty featherweight, too. That said, the big song and dance numbers still knock it out of the park.
I loved the show, said Clive Davis in The Times: its “sheer panache is irresistible”. With luck, Sheader will now bring the same “verve” to his new job as boss of the Donmar Warehouse, which “needs an injection of va-va-voom”.
Regent’s Park Open Air Theatre, London NW1 (0333 400 3562; openairtheatre.com). Until 16 September. Rating ****
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
'Wonder drug': the potential health benefits of creatine
The Explainer Popular fitness supplement shows promise in easing symptoms of everything from depression to menopause and could even help prevent Alzheimer's
-
What's next for Elon Musk?
Today's Big Question The world's richest man has become 'disillusioned' with politics – but returning to his tech empire presents its own challenges
-
Quiz of The Week: 24 – 30 May
Have you been paying attention to The Week's news?
-
Ancient India: living traditions – 'ethereal and sensual' exhibition
The Week Recommends Hinduism, Jainism and Buddhism are explored in show that remains 'remarkably compact'
-
6 well-preserved homes built in the 1930s
Feature Featuring a restored 1934 colonial in Arizona and a cold-storage warehouse turned loft in New York City
-
Things in Nature Merely Grow: memoir of 'harsh beauty' after loss
The Week Recommends Chinese-American novelist Yiyun Li's 'devastating' memoir explores the deaths of her two sons
-
Sirens: entertaining satire on the lives of the ultra-wealthy stars Julianne Moore
The Week Recommends This 'blackly comic affair' unfurls at a 'breakneck speed'
-
Mrs Warren's Profession: 'tour-de-force' from Imelda Staunton and daughter Bessie Carter
The Week Recommends Mother-daughter duo bring new life to George Bernard Shaw's morality play
-
Critics' choice: Steak houses that break from tradition
Feature Eight hours of slow-roasting prime rib, a 41-ounce steak, and a former Catholic school chapel turned steakhouse
-
Tash Aw's 6 favorite books about forbidden love
Feature The Malaysian novelist recommends works by James Baldwin, Toni Morrison, and more
-
Film reviews: Mission: Impossible—The Final Reckoning, Lilo & Stitch, and Final Destination: Bloodlines
Feature Tom Cruise risks life and limb to entertain us, a young girl befriends a destructive alien, and death stalks a family that resets fate's toll.