Pistol review: Danny Boyle’s sanitised but watchable punk drama
Disney+ is show ‘so lacking in anarchic spirit it could be a Coldplay biopic’

“A drama about the Sex Pistols should be a riot,” said Anita Singh in The Daily Telegraph. But Danny Boyle’s new six-part series (starring Anson Boon, Louis Partridge, Toby Wallace and Jacob Slater as the band’s classic line-up) is “so lacking in anarchic spirit that it may as well be a Coldplay biopic”.
Based on the memoir of guitarist Steve Jones, it ticks off “all the staging posts in the Sex Pistols story – first meeting with Malcolm McLaren, first gig, the infamous Bill Grundy interview, the jubilee boat trip”. And as a “visual accompaniment to a Wikipedia entry”, it would be “passable”, but it’s simply too “Disney-fied” to have the impact the Pistols’ story deserves.
It’s true that the famously unwashed punks are often shown “bathed in a soft, ethereal glow”, said Dan Einav in the FT. Good job then that the acting is “pitch-perfect”. Boon, in particular, brings “an electrifying volatility” to the role of John Lydon, while imbuing him with vulnerability. It’s in reframing the “self-proclaimed ‘fucked four’” as “lost children” that the series is subversive.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
I spent the first ten minutes thinking Pistol was “dreadful”, said Hugo Rifkind in The Times. Mainly that was due to the dialogue. “It’s no good being like other bands, we gotta be like us!” says one of the Pistols. “Wot, four broke working-class kids who can’t play for shit?” comes the reply. My God, I thought, “Could this really be Danny Boyle?”
Still, something must have gone right, as I only planned on watching the first episode, yet “I was still on my sofa four hours later”.
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Valle dell'Erica Thalasso & Spa: a tranquil haven in Sardinia
The Week Recommends This family-friendly resort is steps from the sea and boasts a well-equipped kids' club
-
America's controversial path to the atomic bomb
In Depth The bombing of Hiroshima followed years of escalation by the U.S., but was it necessary?
-
Codeword: August 6, 2025
The Week's daily codeword puzzle
-
Book reviews: 'Clint: The Man and the Movies' and 'What Is Wrong With Men: Patriarchy, the Crisis of Masculinity, and How (Of Course) Michael Douglas Films Explain Everything'
Feature A deep dive on Clint Eastwood and how Michael Douglas' roles reflect a shift in masculinity
-
The easy elegance of Cap Ferret
The Week Recommends 'Elemental and otherworldly' destination is loved for its natural beauty
-
Ozzy Osbourne obituary: heavy metal wildman and lovable reality TV dad
In the Spotlight For Osbourne, metal was 'not the music of hell but rather the music of Earth, not a fantasy but a survival guide'
-
Spring greens and chickpea curry recipe
The Week Recommends This mouthwatering curry is quick to throw together
-
Gazer: 'paranoid noir chiller' is a gripping watch
The Week Recommends Ryan J. Sloan's debut film is haunted with 'skin-crawling unease'
-
William Kentridge: The Pull of Gravity – a 'bold' exhibition
The Week Recommends The South African artist brings his distinctive works to Yorkshire Sculpture Park
-
Sarah Dunant shares her favourite books
The Week Recommends The British novelist picks works by Sergeanne Golon, Jill Burke and Natalie Zemon
-
Inter Alia: Rosamund Pike is 'electric' in gut-wrenching legal drama
The Week Recommends Australian playwright Suzie Miller is back with a follow up to her critically acclaimed hit play Prima Facie