Joseph Wright of Derby is a painter “all too often underserved in accounts of British art”, said Mark Hudson in The Independent. Born in Derby in 1734, he trained in London but returned to the Midlands to capitalise on the money flowing into the region in the wake of the Industrial Revolution.
A “prodigiously gifted” artist, he developed a style inspired by Caravaggio’s chiaroscuro technique, painting scenes that blended “heightened realism” with “powerful contrasts of light and shadow”, as well as portraits and landscapes that flattered the local industrial elite and their domains. Yet while several of his paintings have become renowned as “seminal” images of the British Enlightenment, he is – possibly on account of the “parochial suffix” attached to his name – often remembered as “a jobbing provincial painter”. This show at the National Gallery seeks to correct that assumption. It brings together many of his best-known works to reclaim him as one of the great British artists of the 18th century, confounding expectations at every turn while creating several bona fide masterpieces. It is “revelatory”.
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
National Gallery, London WC2. Until 10 May
-
What to know before filing your own taxes for the first timethe explainer Tackle this financial milestone with confidence
-
The biggest box office flops of the 21st centuryin depth Unnecessary remakes and turgid, expensive CGI-fests highlight this list of these most notorious box-office losers
-
The 10 most infamous abductions in modern historyin depth The taking of Savannah Guthrie’s mother, Nancy, is the latest in a long string of high-profile kidnappings
-
Arcadia: Tom Stoppard’s ‘masterpiece’ makes a ‘triumphant’ returnThe Week Recommends Carrie Cracknell’s revival at the Old Vic ‘grips like a thriller’
-
American Psycho: a ‘hypnotic’ adaptation of the Bret Easton Ellis classicThe Week Recommends Rupert Goold’s musical has ‘demonic razzle dazzle’ in spades
-
Can London’s pie and mash shops make a comeback?Under the Radar Traditional East End eateries are on the ‘brink of extinction’ – but a younger generation is giving the Cockney cuisine an unexpected boost
-
Breaking news: the rise of ‘smash hit’ rage roomsUnder the Radar Paying to vent your anger on furniture is all the rage but experts are sceptical
-
Why is London’s property market slumping?Today's Big Question Some sellers have reported losses of hundreds of thousands of pounds
-
Jane Austen lives on at these timeless hotelsThe Week Recommends Here’s where to celebrate the writing legend’s 250th birthday
-
David Hockney at Annely Juda: an ‘eye-popping’ exhibitionThe Week Recommends ‘Some Very, Very, Very New Paintings Not Yet Shown in Paris’ testifies to the artist’s ‘extraordinary vitality’ and ‘childlike curiosity’
-
The Peninsula: London’s first billion-pound hotelThe Week Recommends As the capital’s super-luxury hotel scene continues to expand, the respected brand is still setting the standard
