Blitz: an 'odyssey through Britain at war'
The 'excellent' Saoirse Ronan stars in this 'cracking' film
The artist and filmmaker Steve McQueen has said he was inspired to write Blitz "after seeing a faded photograph of a black child with other evacuees at the height of the Luftwaffe's bombing of London", said Brian Viner in the Daily Mail.
The result is a "thoroughly enjoyable" adventure, set in 1940 and starring Elliott Heffernan as George, a mixed-race nine-year-old whose mother (the "excellent" Saoirse Ronan) packs him off from Paddington Station with a cardboard tag around his neck.
But though the Blitz is raging, George doesn't want to leave London, so an hour into the trip, he jumps off the train, determined to make his way back to Stepney Green. Predictably, his journey proves to be "fraught with peril", as bombs rain down and he falls into the hands of a Bill Sikes-like character played by Stephen Graham.
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Racism features in the story too, and in a way that in places feels a bit thinly drawn – but in essence, this is "a cracking yarn, nicely told". The film is certainly "worth seeing", said Nicholas Barber on BBC Culture. "But it doesn't have quite the impact" of some of McQueen's other films ("12 Years a Slave", "Hunger"); nor does it quite know what it is. Sometimes, it's "a dark Dickensian tale"; other times, it's a feel-good film "about plucky women standing up for themselves". At its "nerve-shredding best, it's a stark depiction of a situation in which death could strike at any moment"; but it's more a "scrapbook" than a "fully realised film".
Well, I found it "sensational", said Robbie Collin in The Daily Telegraph. George's "odyssey through Britain at war" is moving and "morally provoking". This is "big-picture British cinema of a scale and depth" the country hasn't seen since 2017's "Dunkirk".
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Political cartoons for December 6Cartoons Saturday’s political cartoons include a pardon for Hernandez, word of the year, and more
-
Pakistan: Trump’s ‘favourite field marshal’ takes chargeIn the Spotlight Asim Munir’s control over all three branches of Pakistan’s military gives him ‘sweeping powers’ – and almost unlimited freedom to use them
-
Codeword: December 6, 2025The daily codeword puzzle from The Week
-
A postapocalyptic trip to Sin City, a peek inside Taylor Swift’s ‘Eras’ tour, and an explicit hockey romance in December TVthe week recommends This month’s new television releases include ‘Fallout,’ ‘Taylor Swift: The End Of An Era’ and ‘Heated Rivalry’
-
December’s books feature otherworldly tales, a literary icon’s life story and an adult royal rompThe Week Recommends This month's new releases include ‘The Heir Apparent’ by Rebecca Armitage and ‘Tailored Realities’ by Brandon Sanderson
-
Wake Up Dead Man: ‘arch and witty’ Knives Out sequelThe Week Recommends Daniel Craig returns for the ‘excellent’ third instalment of the murder mystery film series
-
Zootropolis 2: a ‘perky and amusing’ movieThe Week Recommends The talking animals return in a family-friendly sequel
-
Storyteller: a ‘fitting tribute’ to Robert Louis StevensonThe Week Recommends Leo Damrosch’s ‘valuable’ biography of the man behind Treasure Island
-
The rapid-fire brilliance of Tom StoppardIn the Spotlight The 88-year-old was a playwright of dazzling wit and complex ideas
-
Jane Austen lives on at these timeless hotelsThe Week Recommends Here’s where to celebrate the writing legend’s 250th birthday
-
‘Mexico: A 500-Year History’ by Paul Gillingham and ‘When Caesar Was King: How Sid Caesar Reinvented American Comedy’ by David Margolickfeature A chronicle of Mexico’s shifts in power and how Sid Caesar shaped the early days of television