Moana 2: Disney hit stumbles with 'sequel-itis'
While the film has 'magnificent' animation and great songs, its narrative suffers

Disney's animated musical "Moana" was a "medium-to-large hit" when it came out in 2016, then enjoyed an "unusually charmed" afterlife on streaming, becoming in 2023 "America's most-viewed film on any platform". Now, said Tim Robey in The Telegraph, we have the "inevitable" sequel and, happily, it's an exhilarating triumph that "absolutely romps along".
'A grand voyage'
In this film, our Polynesian heroine Moana (voiced again by Auli'i Cravalho) must find a long-lost island called Motufetu, "which has been sunk to the bottom of the ocean by an ancient curse". She's "going nowhere without her pet pig and chicken", who are as "dumbly adorable" as they were in the first film, and she also brings along three shipmates from her tribe.
The songs "put 'Wicked' to shame", and with a running time "that brings us briskly ashore, the film is a grand voyage in miniature".
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
I'm afraid it didn't charm me, said Brian Viner in the Daily Mail. "A little like 'Gladiator II'", it "suffers from sequel-itis, straining to contrive the magic of the first film by more or less replicating the story". And though the animation is "magnificent", the plot feels "humdrum".
This is, in a sense, "a film that was never meant to be, having begun life as a proposed Disney+ series", said Kevin Maher in The Times. Sadly, "you can tell": the narrative stumbles forward in "fits and starts through self-contained story bites that have little impact on the wider, regrettably flabby, arc"; and the whole thing is haunted by an "eerie corporate soullessness" that no amount of singing can dispel.
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Is Apple breaking up with Google?
Today's Big Question Google is the default search engine in the Safari browser. The emergence of artificial intelligence could change that.
-
Music reviews: Eric Church, Blondshell, and Model/Actriz
Feature "Evangeline vs. the Machine," "If You Asked for a Picture," and "Pirouette"
-
What is the Federal Reserve and what does it do?
The explainer The decisions made by the United States' central banking system have very real economic effects
-
Music reviews: Eric Church, Blondshell, and Model/Actriz
Feature "Evangeline vs. the Machine," "If You Asked for a Picture," and "Pirouette"
-
Trump vs. the arts: Fresh strikes against PBS and the NEA
Feature Trump wants to cut funding for public broadcasting and the arts, which would save a little but cost a lot for red states
-
Marya E. Gates' 6 favorite books about women filmmakers
Feature The film writer recommends works by Julie Dash, Sofia Coppola, and more
-
Book reviews: 'Girl on Girl: How Pop Culture Turned a Generation of Women Against Themselves' and 'Notes to John'
Feature The aughts' toxic pop culture and Joan Didion's most private pages
-
In search of paradise in Thailand's western isles
The Week Recommends 'Unspoiled spots' remain, providing a fascinating insight into the past
-
Dark chocolate macadamia cookies recipe
The Week Recommends These one-bowl cookies will melt in your mouth
-
6 charming homes in Rhode Island
Feature Featuring an award-winning home on Block Island and a casket-making-company-turned-condo in Providence
-
Titus Andronicus: a 'beautiful, blood-soaked nightmare'
The Week Recommends Max Webster's staging of Shakespeare's tragedy 'glitters with poetic richness'