Riefenstahl: a 'gripping and incrementally nauseating' documentary
Andres Veiel's nuanced film examines whether the controversial film director was complicit in Nazi war crimes
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
You are now subscribed
Your newsletter sign-up was successful
As a female film director working in the 1930s, Leni Riefenstahl "was ahead of her time and a technical innovator to boot", said Hilary White in the Irish Independent. Yet she will be remembered as "a propagandist for the Nazi party", responsible for films that lionised the regime and cemented Hitler's image in the minds of the German people.
Despite the "indelible smear" attached to her name, Riefenstahl remained highly "visible" in postwar Germany, where – until her death in 2003 – she continued to peddle the old line that she was unaware of the atrocities of the Holocaust and had only been "following orders". In this fascinating, nuanced documentary, writer-director Andres Veiel seeks "to put those excuses to bed". Drawing on archive footage and postwar interviews, the film shows that Riefenstahl was "much closer to Hitler" – and far less naive – than she let it be known.
The documentary tells a "gripping and incrementally nauseating story", said Peter Bradshaw in The Guardian, of a woman who first caught Hitler's attention in 1932 when she appeared in "The Blue Light", her own "Aryan romantic fantasy". He was "entranced", and commissioned her to make "The Triumph of the Will" – a vainglorious account of the Nuremberg Rally; and "Olympia", her visually stunning film about the 1936 Berlin Olympics.
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
After the War, she made much of the fact that she was never a Nazi party member, yet she was of undeniable importance to the movement, and the film presents evidence that she was aware of its crimes: for one film, she used as extras dozens of Roma people from a nearby camp. None of this is conclusive, said Deborah Ross in The Spectator. Still, I'd bet on this: had Hitler won the War, she'd not have tried to distance herself from his regime at all.
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Democrats push for ICE accountabilityFeature U.S. citizens shot and violently detained by immigration agents testify at Capitol Hill hearing
-
The price of sporting gloryFeature The Milan-Cortina Winter Olympics kicked off this week. Will Italy regret playing host?
-
Fulton County: A dress rehearsal for election theft?Feature Director of National Intelligence Tulsi Gabbard is Trump's de facto ‘voter fraud’ czar
-
6 gorgeous homes in warm climesFeature Featuring a Spanish Revival in Tucson and Richard Neutra-designed modernist home in Los Angeles
-
Touring the vineyards of southern BoliviaThe Week Recommends Strongly reminiscent of Andalusia, these vineyards cut deep into the country’s southwest
-
Nan Goldin: The Ballad of Sexual Dependency – an ‘engrossing’ exhibitionThe Week Recommends All 126 images from the American photographer’s ‘influential’ photobook have come to the UK for the first time
-
American Psycho: a ‘hypnotic’ adaptation of the Bret Easton Ellis classicThe Week Recommends Rupert Goold’s musical has ‘demonic razzle dazzle’ in spades
-
Properties of the week: houses near spectacular coastal walksThe Week Recommends Featuring homes in Cornwall, Devon and Northumberland
-
Melania: an ‘ice-cold’ documentaryTalking Point The film has played to largely empty cinemas, but it does have one fan
-
Nouvelle Vague: ‘a film of great passion’The Week Recommends Richard Linklater’s homage to the French New Wave
-
Wonder Man: a ‘rare morsel of actual substance’ in the Marvel UniverseThe Week Recommends A Marvel series that hasn’t much to do with superheroes