Transformers One: entertaining prequel is 'pacy good fun'
Josh Cooley's 'thoughtful' animated film tells the origins story of Optimus Prime and Megatron
"As befits a franchise about shape-shifting robots, 'Transformers' has had more alternate incarnations than anyone cares to remember," said Laura Stott in The Sun. "And in the 40th year since the original 1980s cartoon, we have yet another version."
This one, happily, is "pretty entertaining" – and you don't need to have seen any of the other films to make sense of it.
An animated origins story, it takes us back to the days when Optimus Prime and Megatron – who will become sworn enemies – were "lowly" mining bots on the planet Cybertron, as well as the best of pals. Then a joyride gets them banished to "scrapheap-sifting duties", and they discover that their planet's idolised leader Sentinel Prime (Jon Hamm) is a crook – prompting a rebellion. The film does often feel like it's preparing "to flog you some more plastic stuff this Christmas", but it's "pacey" good fun.
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
"Transformers One", which could more accurately be called "Transformers Nine", is not part of a franchise "that could ever be accused of subtlety", said Robbie Collin in The Daily Telegraph, but the stylistic choices made by director Josh Cooley ("Toy Story 4") make it "far more thoughtful and ingenious than the average reboot". Its characters "may be hulking mechanoids, but they're animated with stop-motion-like tactility", their surfaces scuffed like a kid's "most-played-with belongings". Is the film just "a glorified Saturday-morning cartoon? Yes, but with the emphasis on glorified."
After "16 years of clamorous, clattering mayhem", cinemagoers could be forgiven for longing for the franchise to end, said Kevin Maher in The Times. Yet this film is an "unsettling watch" because, though "loud, multicoloured and garish", it's also "quite good".
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Russia’s ‘weird’ campaign to boost its birth rateUnder the Radar Demographic crisis spurs lawmakers to take increasingly desperate measures
-
Could smaller cars bring down vehicle prices?Today’s Big Question Trump seems to think so, but experts aren’t so sure
-
2025’s most notable new albumsThe Week Recommends These were some of the finest releases of the past year
-
The best music of 2025The Week Recommends These were some of the finest releases of the past year
-
Man vs Baby: Rowan Atkinson stars in an accidental adoption comedyTalking Point Sequel to Man vs Bee is ‘nauseatingly schmaltzy’
-
Goodbye June: Kate Winslet’s directorial debut divides criticsTalking Point Helen Mirren stars as the terminally ill English matriarch in this sentimental festive heartwarmer
-
A Christmas Carol (or two)The Week Recommends These are the most delightful retellings of the Dickens classic from around the country
-
‘Capitalism: A Global History’ by Sven Beckert and ‘American Canto’ by Olivia NuzziFeature A consummate history of capitalism and a memoir from the journalist who fell in love with RFK Jr.
-
Frank Gehry: the architect who made buildings flow like waterFeature The revered building master died at the age of 96
-
The 8 best comedy series of 2025the week recommends From quarterlife crises to Hollywood satires, these were the funniest shows of 2025
-
8 touring theater productions to see this winter, all across the United Statesthe week recommends New shows and reconsidered productions are on the move