Transformers One: entertaining prequel is 'pacy good fun'
Josh Cooley's 'thoughtful' animated film tells the origins story of Optimus Prime and Megatron

"As befits a franchise about shape-shifting robots, 'Transformers' has had more alternate incarnations than anyone cares to remember," said Laura Stott in The Sun. "And in the 40th year since the original 1980s cartoon, we have yet another version."
This one, happily, is "pretty entertaining" – and you don't need to have seen any of the other films to make sense of it.
An animated origins story, it takes us back to the days when Optimus Prime and Megatron – who will become sworn enemies – were "lowly" mining bots on the planet Cybertron, as well as the best of pals. Then a joyride gets them banished to "scrapheap-sifting duties", and they discover that their planet's idolised leader Sentinel Prime (Jon Hamm) is a crook – prompting a rebellion. The film does often feel like it's preparing "to flog you some more plastic stuff this Christmas", but it's "pacey" good fun.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
"Transformers One", which could more accurately be called "Transformers Nine", is not part of a franchise "that could ever be accused of subtlety", said Robbie Collin in The Daily Telegraph, but the stylistic choices made by director Josh Cooley ("Toy Story 4") make it "far more thoughtful and ingenious than the average reboot". Its characters "may be hulking mechanoids, but they're animated with stop-motion-like tactility", their surfaces scuffed like a kid's "most-played-with belongings". Is the film just "a glorified Saturday-morning cartoon? Yes, but with the emphasis on glorified."
After "16 years of clamorous, clattering mayhem", cinemagoers could be forgiven for longing for the franchise to end, said Kevin Maher in The Times. Yet this film is an "unsettling watch" because, though "loud, multicoloured and garish", it's also "quite good".
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
North Korea's army of fake IT workers
The Explainer Using AI and stolen information to craft false identities, they are becoming an 'increasing menace' to top tech companies in the US and UK
-
The Week Unwrapped: Will the Enhanced Games change how we see doping?
Podcast Plus, how will autonomous weapons change warfare? And are Reform supporters more datable than Tories?
-
Your inner romper is going to wild out at these 7 adult summer camps
The Week Recommends You're never too old to go back to camp
-
Your inner romper is going to wild out at these 7 adult summer camps
The Week Recommends You're never too old to go back to camp
-
6 lounge-ready homes with conversation pits
Feature Featuring a terrazzo-flanked pit in California and a fire-side pit in Nevada
-
5 of the best shows currently playing on Broadway
the week recommends It's a very good season for theater in New York City
-
Is a River Alive?: a 'powerful synthesis of literature, activism and ethics'
The Week Recommends Robert Macfarlane's latest book centres on his journeys to four river systems around the world
-
Good One: an 'intensely compelling' coming-of-age tale
The Week Recommends India Donaldson's 'quietly devastating' debut feature about a teenage girl's life-changing camping trip
-
The best lemon pepper wings in Atlanta
Feature Marinated turkey wings, a Korean barbecue sauce combo and an off-menu staple
-
Film reviews: Friendship and Fight or Flight
Feature An awkward dad unravels after he's unfriended and Josh Hartnett attempts a John Wick sidestep
-
Art review: Ai, Rebel: The Art and Activism of Ai Weiwei
Feature Seattle Art Museum, through Sept. 7