Wolfs: 'comedy thriller' stumbles despite George Clooney and Brad Pitt
While the crime caper might 'pleasingly pass a Saturday night' its star-studded duo cannot ultimately salvage it
"Time was when a new comedy thriller starring George Clooney and Brad Pitt would have been huge box-office news," said Matthew Bond in The Mail on Sunday. "But film-watching habits change and even the most handsome of leading men grow older, so it's a sign of gently diminished times that "Wolfs" is going straight to streaming, and probably won't be troubling voters overmuch come awards time."
Should 'pleasingly pass a Saturday night'
Yet "Wolfs" is not undiverting. Clooney and Pitt have some fun with their roles as highly skilled "fixers" who operate as lone wolves, until they are both employed to make the dead body of a young man disappear from an upmarket New York hotel.
The screenplay could have done with "a few more killer one-liners", but the film should "pleasingly pass a Saturday night".
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Not that entertaining
"'Wolfs', which is an Apple TV production, carries itself as Hollywood entertainment like they used to make it," said Robbie Collin in The Telegraph. "But it actually belongs to a very modern and depressing strain of cinema: the streaming platform work-creation scheme, in which famous names are slotted into lightweight action comedies in order to bring flesh-and-blood glamour to a digital brand."
Having suffered through a few of these, "I'm not entirely convinced they're actually meant to be watched": rather, they're the movie equivalent of those rows of books you see in show homes that are actually made of cardboard.
"Wolfs" has a nice premise and starts well enough, said Alistair Harkness in The Scotsman. But for a film that is intended as pure entertainment, it's not that entertaining; and its stars' charm has morphed so far into smugness, they border on the annoying.
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Homes with great fireplacesFeature Featuring a suspended fireplace in Washington and two-sided Parisian fireplace in Florida
-
Film reviews: ‘The Secret Agent’ and ‘Zootopia 2’Feature A Brazilian man living in a brutal era seeks answers and survival and Judy and Nick fight again for animal justice
-
Wake Up Dead Man: ‘arch and witty’ Knives Out sequelThe Week Recommends Daniel Craig returns for the ‘excellent’ third instalment of the murder mystery film series
-
Zootropolis 2: a ‘perky and amusing’ movieThe Week Recommends The talking animals return in a family-friendly sequel
-
Storyteller: a ‘fitting tribute’ to Robert Louis StevensonThe Week Recommends Leo Damrosch’s ‘valuable’ biography of the man behind Treasure Island
-
The rapid-fire brilliance of Tom StoppardIn the Spotlight The 88-year-old was a playwright of dazzling wit and complex ideas
-
‘Mexico: A 500-Year History’ by Paul Gillingham and ‘When Caesar Was King: How Sid Caesar Reinvented American Comedy’ by David Margolickfeature A chronicle of Mexico’s shifts in power and how Sid Caesar shaped the early days of television
-
Homes by renowned architectsFeature Featuring a Leonard Willeke Tudor Revival in Detroit and modern John Storyk design in Woodstock


