Greek tragedy: do Hollywood stars have a place in the classics?
Rami Malek and Brie Larson take leading roles in two Sophocles tragedies – but both miss the mark

The trend for "plonking Hollywood stars into classics in the West End" has never looked more misconceived, said Robert Gore-Langton in The Mail on Sunday. Last week, revivals of two Sophocles dramas that have been shocking audiences for millennia opened in London.
'Horribly misguided'
In "Elektra", Brie Larson – best known for playing the superhero Captain Marvel – takes the title role, while Rami Malek (who starred in "Bohemian Rhapsody"), does the same in "Oedipus". This starry casting guaranteed publicity and early ticket sales; but alas, these two Greek tragedies have "never looked so bonkers – or less tragic". Sporting a buzz-cut and a punk T-shirt, Larson gives a "one-note grump of a performance". As Oedipus, Malek "stands about in slacks, looking spaced out and speaking in an American drawl that's even more wooden than Joe Biden's".
This "Elektra" is horribly "misguided", said Dominic Maxwell in The Times. Larson is a "gifted" performer, but she's let down by Daniel Fish's "gimmicky", "avant-garde" production, which also leaves co-star Stockard Channing (as Clytemnestra) struggling. In this "silly" production, the avenging heroine is little more than a "raging bore", snarling into a handheld microphone.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
A 'hodgepodge mess'
Canadian poet Anne Carson's new translation is a redeeming feature, said Susannah Clapp in The Observer: caustic, forceful, and "filling the air with memorable images without losing the pulse of action". But the evening is baffling – more like a rehearsal room experiment than a show.
"Oedipus" fares better, said Clive Davis in The Times. Ella Hickson's adaptation lacks "poetic heft"; and Malek is stiff and unregal. But the staging, which features "mesmerising dance sequences" in place of a chorus, does conjure an "elemental", believable world.
Hickson presents the play as "a parable of religious delusion", said Claire Allfree in The Daily Telegraph: the people think that only the gods can save them. It is an interesting take, in this era of "populist leadership and febrile ideological conviction", but nothing in this production is properly driven through; it is "a hodgepodge mess of a night".
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
The easy elegance of Cap Ferret
The Week Recommends 'Elemental and otherworldly' destination is loved for its natural beauty
-
Ozzy Osbourne obituary: heavy metal wildman and lovable reality TV dad
In the Spotlight For Osbourne, metal was 'not the music of hell but rather the music of Earth, not a fantasy but a survival guide'
-
Spring greens and chickpea curry recipe
The Week Recommends This mouthwatering curry is quick to throw together
-
Gazer: 'paranoid noir chiller' is a gripping watch
The Week Recommends Ryan J. Sloan's debut film is haunted with 'skin-crawling unease'
-
William Kentridge: The Pull of Gravity – a 'bold' exhibition
The Week Recommends The South African artist brings his distinctive works to Yorkshire Sculpture Park
-
Sarah Dunant shares her favourite books
The Week Recommends The British novelist picks works by Sergeanne Golon, Jill Burke and Natalie Zemon
-
Inter Alia: Rosamund Pike is 'electric' in gut-wrenching legal drama
The Week Recommends Australian playwright Suzie Miller is back with a follow up to her critically-acclaimed hit play Prima Facie
-
Unforgivable: harrowing drama about abuse and rehabilitation
The Week Recommends 'Catastrophic impact' of abuse is explored in 'thought-provoking' series